Tyler Mitchell: Domestic Imaginaries at the SCAD Museum of Art, Savannah
Daniel Fuller reviews the delicate vulnerability of the subject matters and materials found in Tyler Mitchell: Domestic Imaginaries at the SCAD Museum of Art, Savannah.
Daniel Fuller reviews the delicate vulnerability of the subject matters and materials found in Tyler Mitchell: Domestic Imaginaries at the SCAD Museum of Art, Savannah.
Jacob O Kelley reviews the vibrant abstraction in Hasani Sahlehe: You Really Gotta See It Live, a solo exhibition by Atlanta-based artist Hasani Sahlehe at the Atlanta Contemporary, Atlanta.
Karla Méndez reviews the notions of migration and materiality found in Juana Valdés: Embodied Memories, Ancestral Histories at the Sarasota Art Museum of Ringling College, Sarasota.
Danny Olda reviews the Seussian palette and cabinets of curiosities found in Pepe Mar: Myth and Magic, a solo exhibition survey of the artist at the Tampa Museum of Art, Tampa.
Margaret Jane Joffrion reviews the non-stop energy found in Insider, a solo exhibition by Halle Ballard at Elephant Gallery, Nashville.
Amina Daugherty reviews the conspiracies behind the works found in Some Believe It To Be Conspiracy and Imprints of Connection, Emmanuel Massillon’s debut exhibitions with UTA Artist Space, Atlanta.
Bianca Littlepage reviews the delicate portrait etchings found in New Forms: Black Male Portraiture through Afro-Futurism, Perrion Hurd’s solo presentation of works at Hearne Fine Art Gallery, Little Rock.
Daniel Fuller reviews the weighty fanfare of college football in Paul Pfeiffer: Red Green Blue at The Athenaeum, University of Georgia, Athens.
Valentin Diaconov reviews the internal tensions found in Flesh and Blood, the first solo museum exhibition by John Guzman at the Blaffer Art Museum in Houston.