Insider by Halle Ballard at Elephant Gallery, Nashville
Margaret Jane Joffrion reviews the non-stop energy found in Insider, a solo exhibition by Halle Ballard at Elephant Gallery, Nashville.
Margaret Jane Joffrion reviews the non-stop energy found in Insider, a solo exhibition by Halle Ballard at Elephant Gallery, Nashville.
Amina Daugherty reviews the conspiracies behind the works found in Some Believe It To Be Conspiracy and Imprints of Connection, Emmanuel Massillon’s debut exhibitions with UTA Artist Space, Atlanta.
Bianca Littlepage reviews the delicate portrait etchings found in New Forms: Black Male Portraiture through Afro-Futurism, Perrion Hurd’s solo presentation of works at Hearne Fine Art Gallery, Little Rock.
Daniel Fuller reviews the weighty fanfare of college football in Paul Pfeiffer: Red Green Blue at The Athenaeum, University of Georgia, Athens.
Valentin Diaconov reviews the internal tensions found in Flesh and Blood, the first solo museum exhibition by John Guzman at the Blaffer Art Museum in Houston.
Kat Eaves reviews the sanctity of play presented via the one day activation of Skybox by Harrison Wayne at Eso Tilin Projects, Atlanta.
Emeline Boehringer reviews AN ANGLE GRINDER GRINDS IN THE BACKGROUND, a presentation of works by Alfredo Ramírez Raymond in collaboration with artists Rafaela Armendaris, Lucas Neira, and Karin Iturralde, that was on view at Coco Hunday in Tampa.
Megan Bickel reviews the donated textile works in Downriver by Coulter Fussell at Institute 193 in Lexington.
Joe Craig reviews the feminine gestural abstraction in Across Space and Time (The Divine Feminine) by Anastasia Pelias at JONATHAN FERRARA GALLERY in New Orleans.