Triple Hits at Barbara Davis Gallery, Houston
Philip Kelleher-Rios reviews the abstract distortions across the paintings, pigment transfers, and readymade objects found in Triple Hits at Barbara Davis Gallery, Houston.
Philip Kelleher-Rios reviews the abstract distortions across the paintings, pigment transfers, and readymade objects found in Triple Hits at Barbara Davis Gallery, Houston.
Merin McDivitt reviews Molly Sawyer: Through the Light, a material response to the aftermath of Tropical Storm Helene, at the Spartanburg Art Museum, Spartanburg.
Montenez Lowery reviews the acts of obscuring found in UNTITLED, Petie Parker’s solo exhibition at Old Rabbit Gallery, Atlanta.
Jackson Markovic reviews 5 Mountain Dews, Ross Landenberger’s solo exhibition of color field photographs exposed with soda, at THE END Project Space, Atlanta.
Whitney Washington reviews the history and practice of ceremonial costuming in New African Masquerades: Artistic Innovations and Collaborations at the Frist Art Museum, Nashville.
Mario Andrés Rodriguez reviews the sustainable re-representations of the Florida Everglades in Weathering, a solo exhibition by Alissa Alfonso at Miami Beach Botanical Garden, Miami Beach.
Noah Reyes reviews the methods in which the natural world is noticed and harnessed in Rustle at Blue Boy, Savannah.
Samantha Oleschuk reviews Manners of Dress, an exhibition which considers what clothing can reveal about identity and performance, at Rollins Museum of Art, Winter Park.
Courtney McClellan considers a proposition on aura in The Space Between Looking and Loving: Francesca Fuchs and the de Menil House at The Menil Collection, Houston.