Claire E. Dempster charts connections between textiles and time, weaving and mythology in her review of Sonya Yong James’s solo exhibition “Loud Magic” at Whitespace in Atlanta.
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An exhibition responding to Jungian theories about symbolism and the unconscious collects artifacts and artworks from across two thousand years of human history in Nashville.
Artist Tina Dunkley employs a visual form of critical fabulation to reconstruct the lives of her ancestors who fled the United States for Trinidad in the early nineteenth century.
Annie Moye tells the love story behind a colorful artist environment in Mississippi and reports on efforts to preserve it following the artist’s death.
BA takes a close look at Michelle Laxalt’s solo exhibition “Husk” at MINT in Atlanta.
In a letter from the editor, Logan Lockner considers creative placemaking and collaborations betweens artists and developers and asks, “What is art for?”