This is America* at UK Art Museum, Lexington
Natalie Weis reviews an ambitious group exhibition at the University of Kentucky Art Museum that investigates citizenship, power, and struggle during one of the most fraught moments in American history.
BA DAILY
Frances Trombly at Emerson Dorsch
Ade J. Omotosho visits the bird-like installations of Frances Trombly at Emerson Dorsch in Miami.
Woody De Othello at Nina Johnson, Miami
Burnaway takes a close look at Coming to Light, a solo exhibition of ceramics and paintings by Woody De Othello at Nina Johnson, Miami.
Julie Mehretu at the High Museum of Art, Atlanta
Logan Lockner reviews the career-spanning survey of paintings by Julie Mehretu at the High Museum of Art, Atlanta.
January 12, 2020
Our first news roundup of the year includes reports on curators’ efforts to identify artworks damaged or stolen during last week’s siege of the US Capitol, a gift of over a hundred sculptures by self-taught artists to Atlanta’s High Museum of Art, and more.
Mike Goodlett: Chez Lui
Daniel Fuller reviews an online presentation of works by Mike Goodlett installed in the artist’s Kentucky farmhouse.
Rina Banerjee at the Frist Art Museum, Nashville
Burnaway takes a closer look at the final days of Rina Banerjee’s Make Me A Summary of the World at the Frist Art Museum, Nashville.
Avantika Bawa at THE END, Atlanta
Leia Genis reviews a project by artist Avantika Bawa that resurrects the now-demolished Georgia Archives Building, colloquially known as the “White Ice Cube.”
The Field is Infinite: Jordan Nassar at KMAC Museum, Louisville
Natalie Weis reviews an exhibition by Palestinian-American artist Jordan Nassar that celebrates shared craft traditions and the comforts of domestic life.