Anna Nelson-Daniels reviews Diedrick Brackens: the shape of survival in the Walter and Linda Evans Center for African American Studies at the SCAD Museum of Art, Savannah.
Our monthly round of opportunities includes a resident artist program for craft artists in Penland, a residency in Knoxville, and an open call for installation-based solo exhibitions in Miami,
May Howard reviews the role of artists-archivists Myriam Amri and Xitlalli Alvarez Almendariz in An Act to Prohibit Camels and Dromedaries from Running at Large at Friends Gallery, Houston.
Kristina Kay Robinson visits the studio of Matthew Rosenbeck, a multidisplinary artist working in New Orleans who repurposes salvaged, found materials.
Tyra Douyon visits the studio of Tim Short, a narrative painter based in Stone Mountain, Georgia, to speak on the imaginative and metaphysical iconography tied to Blackness.
Valentin Diaconov reviews the aesthetic of stuttering found in Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City.
Emily Alesandrini reviews Sadie Sheldon’s solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
Angie Toole Thompson reviews The Third Annual Queer Arts Initiative Showcase at Good Art Co. in Greenville, South Carolina—an exhibition that holds feelings of joy, humor, horror, and rage in balance–alongside an unbeatable determination to thrive.
Our monthly round of opportunities includes a a residency in Knoxville, a juried exhibition in New Orleans, and a guest curator program in Chattanooga.
