Residencies | A Letter from Stove Works
Artist-in-residence Helen Jones writes a letter from Stove Works, sharing stories of winding rivers, time spent on porches, and bathtubs used for photo processing.
Artist-in-residence Helen Jones writes a letter from Stove Works, sharing stories of winding rivers, time spent on porches, and bathtubs used for photo processing.
Zahrah Butler reflects on the work of Tay Butler, a Houston-based artist who examines the commodification of Black athletes and soldiers.
In this GHOST theme feature, Emile Mausner examines Dario Robleto’s materially-rich sculptures, where melted bullet led and ring-finger bones evoke ghosts of the Civil War.
Katherine Kennedy explores energy exchange and belonging in artist residencies within and beyond the Caribbean.
For the debut theme feature of TRICKSTER, Robert Alan Grand examines the slapdash glamour and queer subculture found in Benjy Russell’s photographs.
Sommer Browning reviews the expansiveness of We Belong Here: The Gutierrez Collection at the Cameron Art Museum, Wilmington.
In our next GHOST theme feature, Colony Little details the process of remembering and re-remembering in The Wilde Woman of Aiken, a photograph taken in South Carolina.
In August’s co-publishing partnership with Oxford American, Whitney Washington explores the origins and crafted work of Frank Lloyd Wright’s Rosenbaum House in Florence, Alabama.
Amina Daugherty reviews what it means to be free in the late life and work of Georgia-based artist Nellie Mae Rowe, currently on view in Really Free: The Radical Art of Nellie Mae Rowe at California African American Museum, Los Angeles.