In the next feature release of Burnaway’s year-long partnership with Oxford American, Sommer Browning interviews IBé Bulinda Crawley on her artist books and her founding of the IBé Arts Institute in Hopewell, Virginia.
In this special contribution, Asheville-based artist Hannah Cole reflects on the destruction of her studio by Hurricane Helene, the loss of most of her life’s work, and how she’s navigating the changes to her practice through describing one surviving piece.
Yelizaveta Moss analyzes the nostalgic tendencies found in the 1981 film The Loveless as part of Burnaway’s Twang theme series.
In this Twang theme feature, Jordan Barrant considers the kindred histories of Black Caribbeans and Southerners depicted in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023).
For our next Twang theme feature, Courtney McClellan distinguishes the archetype of the Southern lawyer, from the bad to the supposed good.
In the initial release of Burnaway’s co-publishing initiative with Oxford American, Francess Archer Dunbar details the invaluable legacy of Serge Toussaint’s murals in Miami’s Little Haiti neighborhood.
Shannon Chen See reviews and unpacks the nuances of PORTENT, a new exhibition of work by Laura Facey in Bellevue, Jamaica.
For Burnaway’s CRUSH theme series, Isabella Marie Garcia reflects on the land, people, and ethos of School of the Alternative in Black Mountain, North Carolina.
Daniel Fuller reviews the retrospective Structural Integrity on Hayward Oubre at the Birmingham Museum of Art, revealing the artist’s deep commitment to his craft and long-overdue acknowledgement of his interdisciplinary practice.
