“Told From a Future Tense”: The Work of Benjy Russell
For the debut theme feature of TRICKSTER, Robert Alan Grand examines the slapdash glamour and queer subculture found in Benjy Russell’s photographs.
For the debut theme feature of TRICKSTER, Robert Alan Grand examines the slapdash glamour and queer subculture found in Benjy Russell’s photographs.
Sommer Browning reviews the expansiveness of We Belong Here: The Gutierrez Collection at the Cameron Art Museum, Wilmington.
In our next GHOST theme feature, Colony Little details the process of remembering and re-remembering in The Wilde Woman of Aiken, a photograph taken in South Carolina.
In August’s co-publishing partnership with Oxford American, Whitney Washington explores the origins and crafted work of Frank Lloyd Wright’s Rosenbaum House in Florence, Alabama.
Amina Daugherty reviews what it means to be free in the late life and work of Georgia-based artist Nellie Mae Rowe, currently on view in Really Free: The Radical Art of Nellie Mae Rowe at California African American Museum, Los Angeles.
Alexandra Martinez considers how artist Ọmọlará Williams McCallister’s Fishers of Men is a vessel of mourning in our inaugural theme release for SIREN.
Estefania Vallejo Santiago unravels the world of artist Tevin Lewis, who weaves speculative storytelling and material alchemy in his practice, in our next GHOST theme feature.
In our inaugural release of the GHOST theme, Valentin Diaconov traces the practice of larí garcia, who utilizes objects within their installations as a postscript to loss and grief.
Sophia Wright profiles the work of Daniel Essig, an Asheville-based artist whose sculptural books bridge together the ancient and spiritual with contemporary craft.