In the studio with Fletcher Williams III, Charleston
JD Ellison spends sometime with Fletcher Williams III and considers the changes in the Lowcountry – real and imagined.
Features (500+)
Nyugen Smith’s Water Work
Monica Uszerowicz considers the earthly works of artist Nyugen Smith in this feature from our partnership with Oolite Arts in Miami.
Candice Lin at LSU Museum of Art, Baton Rouge
Renee Royale traces the history of indentured Chinese labor in the South while visiting Candice Lin: The Agnotology of Tigers at the LSU Museum of Art in Baton Rouge.
Bless me before you go: Envisioning Black sanctuary in bell hooks’s Appalachian Elegy and Moses Sumney’s Blackalachia
Bryn Evans revisits the writing of bell hooks and finds new visions of Appalachia as a site of refuge and freedom for Black folks while viewing Asheville-based musician and multi-disciplinary storyteller Moses Sumney’s Blackalachia, the artist’s first concert film.
Rooted at the Dallas Museum of Art
Amal Ahmed recounts the work and art work around Dallas’ “Shingle Mountain” and the current exhibit at the Dallas Museum of Art.
Oliver Lee Jackson at the St. Louis Art Museum
In this feature co-published with Momus, Del O’ Brien considers the free jazz and abstraction of Oliver Lee Jackson at the Saint Louis Art Museum.
Saint Paul Spiritual Holy Temple
In our first theme essay of the new year, Annalise Flynn charts the history of the visionary Saint Paul Spiritual Holy Temple in Tennessee.
WOPHA and the Collective Labor of a Feminist Photography Congress
Francis Dalena Oliver reviews the first WOPHA Congress—presented by Women Photographers International Archive (WOPHA)—in the Caribbean diasporic city of Miami as part of our partnership with Oolite.
Introducing Our 2022 Editorial Themes
Burnaway announces its yearly magazine themes: Artist Environments, Invasive Species, and Nonhuman.
