In the studio with Fletcher Williams III, Charleston
JD Ellison spends sometime with Fletcher Williams III and considers the changes in the Lowcountry – real and imagined.
JD Ellison spends sometime with Fletcher Williams III and considers the changes in the Lowcountry – real and imagined.
Monica Uszerowicz considers the earthly works of artist Nyugen Smith in this feature from our partnership with Oolite Arts in Miami.
Renee Royale traces the history of indentured Chinese labor in the South while visiting Candice Lin: The Agnotology of Tigers at the LSU Museum of Art in Baton Rouge.
Bryn Evans revisits the writing of bell hooks and finds new visions of Appalachia as a site of refuge and freedom for Black folks while viewing Asheville-based musician and multi-disciplinary storyteller Moses Sumney’s Blackalachia, the artist’s first concert film.
Amal Ahmed recounts the work and art work around Dallas’ “Shingle Mountain” and the current exhibit at the Dallas Museum of Art.
In this feature co-published with Momus, Del O’ Brien considers the free jazz and abstraction of Oliver Lee Jackson at the Saint Louis Art Museum.
In our first theme essay of the new year, Annalise Flynn charts the history of the visionary Saint Paul Spiritual Holy Temple in Tennessee.
Francis Dalena Oliver reviews the first WOPHA Congress—presented by Women Photographers International Archive (WOPHA)—in the Caribbean diasporic city of Miami as part of our partnership with Oolite.
Burnaway announces its yearly magazine themes: Artist Environments, Invasive Species, and Nonhuman.