For our next iteration of the Annotations column, Andrew Westover converses with Dr. Gautham Reddy, a Hindu scholar and Emory University’s South Asian Studies Librarian, about one of St. EOM’s sculptures.
Camille Bacon pays tribute to the late Lorraine O’Grady, who worked across performance, collage, photography, curatorial interventions, and writing.
Tedecia Bromfield speaks with Mazola Wa Mwashigada on placemaking, diasporic concepts of Blackness, and the magic of found material in the Jamaican landscape.
Charleston writer Chloe Hogan interviews photographer and engineer Jared Bramblett, who documents the impacts of sea level rise and flooding in the South Carolina Lowcountry.
In the next feature release of Burnaway’s co-publishing initiative with Oxford American, Sarah Mullens—the ex-mayor of Bramwell, West Virginia—recalls an almost-forgotten era.
In the next feature release of Burnaway’s year-long partnership with Oxford American, Sommer Browning interviews IBé Bulinda Crawley on her artist books and her founding of the IBé Arts Institute in Hopewell, Virginia.
In this special contribution, Asheville-based artist Hannah Cole reflects on the destruction of her studio by Hurricane Helene, the loss of most of her life’s work, and how she’s navigating the changes to her practice through describing one surviving piece.
Yelizaveta Moss analyzes the nostalgic tendencies found in the 1981 film The Loveless as part of Burnaway’s Twang theme series.
In this Twang theme feature, Jordan Barrant considers the kindred histories of Black Caribbeans and Southerners depicted in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023).
