Barthélémy Toguo at SCAD MOA, Savannah
Ian Carstens considers the interwoven themes of remembrance and cultural critique in Barthélémy Toguo’s Urban Requiem at the SCAD Museum of Art in Savannah.
Features (500+)
What is Left Unspoken, Love at the High Museum of Art, Atlanta
Annie Moye visits What is Left Unspoken, Love at the High Museum of Art in Atlanta.
Our Mascots, Ourselves
In this theme story, Jasmine Amussen revels in the pagan delights of Southeastern Conference mascots.
More vulnerable, more human: Oscar Muñoz at the Blanton Museum of Art
María Emilia Fernández Nadurille considers the role of the artist as witness at the Blanton Museum of Art at the University of Texas, Austin.
Mira el mar: Reflections on Natalia Lassale-Morillo’s Retiro
In this essay from Treasure, Monica Uszerowicz considers Natalia Lassalle-Morillo’s film Retiro. Translation from English to Spanish by Raquel Salas Rivera.
What a Wonderful World at The Ogden Museum
Tara Stickley visits the brutal and beautiful work of Luis Cruz Acazeta at the Ogden Museum, New Orleans.
Lorraine O’Grady: Both/And
Delving into the archives of Black feminist performance art, Brandee Newkirk finds timely critique of Black female abjection in artistic society and the larger social world in Lorraine O’Grady’s current retrospective at the Weatherspoon Art Museum.
Dying to Blossom: Nancy Rexroth: IOWA at Ten Nineteen
Focusing on a recently closed exhibition at Ten Nineteen in New Orleans, Katie Geha considers the photographs of Nancy Rexroth from her pioneering 1977 IOWA series.
Nikita Gale: END OF SUBJECT, 52 Walker, New York
Madeleine Seidel visits Nikita Gale’s END OF SUBJECT at the new David Zwirner outpost 52 Walker, New York.
