Supa Dupa Fly: The Misdemeanor Ecology
Reflecting on twenty-five years of Supa Dupa Fly, Matou bears witness to the poetic intentions and sonic landscapes generated by Missy “Misdemeanor” Elliott.
Reflecting on twenty-five years of Supa Dupa Fly, Matou bears witness to the poetic intentions and sonic landscapes generated by Missy “Misdemeanor” Elliott.
Rosa Boshier González depicts the process of resurrection in Jacolby Satterwhite’s solo exhibition We Are in Hell When We Hurt Each Other at The Blaffer Art Museum, Houston.
Burnaway editor Jasmine Amussen looks back at the abyss and heavenly firmament of rural Southern girlhood thru the music of Jewel and Ethel Cain.
In conversation with local artists and gallerists, Rachel Ebio details the art history of North Nashville, a historically Black neighborhood targeted by gentrification and real estate development.
Brandee Newkirk visits Deana Lawson’s retrospective at the High Museum, reflecting on the historic violence of photography and the objectification of Black nostalgia.
Visiting Crystal Bridges’s latest exhibition, Rachel Trusty reflects on Northwest Arkansas’s changing landscape and Latinx placemaking beyond borders.
Burnaway announces its yearly magazine themes: Conspiracy, Camouflage, and Color and a change to the format.
Rosa Boshier González reveals the politics behind pop culture in Diane Severin Nguyen’s solo institutional exhibition IF REVOLUTION IS A SICKNESS at Contemporary Arts Museum Houston.
Chasitie Brown explores the lasting impacts of Latin American artmaking practices in Movement: The Legacy of Kineticism at the Dallas Museum of Art.