MURRMUR: Blurs and Senses at the Institute of Contemporary Art at VCU, Richmond
Courtney McClellan traverses the material cultures and sensations found in MURRMUR: Blurs and Senses at the Institute of Contemporary Art at VCU, Richmond.
Courtney McClellan traverses the material cultures and sensations found in MURRMUR: Blurs and Senses at the Institute of Contemporary Art at VCU, Richmond.
Colony Little reflects on the hands and history behind fiber works on display in exhibitions at the North Carolina Museum of Art and the Gregg Museum of Art & Design in Raleigh, North Carolina.
Amarie Gipson reviews the visual and political strategies within British artist Lubaina Himid’s first major exhibition in the American South at The Contemporary Austin.
Rob Goyanes reminisces on a boat ride along the Miami River and a retrospective on artist-run collective the end / SPRING BREAK at [NAME], Miami.
Daniel Fuller reviews the historical presentation and accountability of the pottery found inHear Me Now: The Black Potters of Old Edgefield, South Carolina at the High Museum of Art, Atlanta.
Alexandra Martinez dissects the international video artists exploring the interdependence of nature and technology found in Sea Change at the Pérez Art Museum, Miami.
Lina Alam profiles the spiritual allegories and the labor of weaving works created by Chattanooga-based artist Tabitha Arnold.
Natalie Willis Whylly explores memory, colonial archives, and encounter in Rodell Warner’s Fictions More Precious at Big Medium, Austin.
Carolina Ana Drake highlights the local legacies of Miami women artists in Women’s Voices: A Journey Through Miami’s Art History at Miami-Dade Public Library Central Branch, Miami.