Corrections in the Public Domain
Carolinas editor Susan Lee Mackey observes the successes and failures of public land management through two new exhibits at the Asheville Art Museum.
Features (500+)
Sonic Identities and Appalshop’s Audio-Visual Media
How did a rural documentary training program lead to murder? Lina Alam explores the enduring legacy and reverberations of Appalshop, a community film workshop founded in Whitesburg, Kentucky in 1969.
Letter from the Carolinas: Plantation Pictures Aren’t Enough
In this inaugural Letter from the Carolinas, Editor-at-Large Susan Mackey, confronts the long history of Southern white photographers who depict environments connected to chattel slavery and trauma.
Underexposed: Women Photographers from the Collection at the High Museum of Art
Beth Ward reviews a survey of women photographers, unpacking how artists have responded to and moved beyond the male gaze in their work.
Crafting America at Crystal Bridges Museum of American Art
Jessica Baran considers how a patriotic survey exhibition on the subject of craft reflects America’s complicated view of itself.
Engine for Art, Democracy and Justice in Nashville
Sara Lee Burd visits Engine for Art, Democracy and Justice in Nashville.
The Rise of Butterfly Eyes
Artist and educator María Magdalena Campos-Pons reflects on the life and legacy of Breonna Taylor in prose.
Beyond this point promise is DEMANDED!
Artist and Louisville native Noel W Anderson reflects on his work and the life of Breonna Taylor at the Speed Art Museum, Louisville.
A Love Letter in Louisville: Breonna Taylor at the Speed Museum
Editor Jasmine Amussen travels to Louisville and finds love and homecoming at the Speed Art Museum.
