Noah Reyes reviews Gathered V at the Museum of Contemporary Art in Atlanta.
Elisa Turner visits The Memory on Her Face in Miami under the shadow of the current Russian invasion of Ukraine at Voloshyn Gallery, Miami.
Lily Kuonen encounters readymade objects and prepper subcultures in Jillian Mayer’s New Sincerity 2.0 at the Crisp-Ellert Art Museum in St. Augustine, Florida.
Miami Contributing Editor Jason Katz reflects on the connections in exile at the Museum of Contemporary Art in North Miami.
Lauren Piemont considers the work of Liên Truong after her mini retrospective at Davidson College.
Lucia Olubunmi R. Momoh reviews the illuminating canvases of Sara Madandar’s The Window at The Front in New Orleans.
Rachel Reese considers the hypervisible, invisible and intervisible work of Lalla Essaydi at the Hunter Museum of Art, Chattanooga.
Lauren Piemont reviews Damian Stamer’s and then it wasn’t in SOCO Gallery’s new project space.
Joe Nolan reviews Caroline Allison’s cyanotypes at Zeitgeist Gallery, Nashville.