Black Outdoors: Ruth Owens in Hammond, Louisiana
Kristina Kay Robinson reviews an exhibition by painter Ruth Owens exploring her individual and collective family memories as the daughter of a German mother and Black American serviceman.
Reviews (500+)
Make America What America Must Become at CAC New Orleans
Nora Kovacs explores the broken promises of America in the group exhibition Make America What America Must Become at the Contemporary Arts Center in New Orleans.
Falling into the Abyss: Azikiwe Mohammed and Inga Danysz at Good Weather
Tara Stickley reviews two projects presented by Good Weather: Inga Danysz’s The Italian Machine online and an installation by Azikiwe Mohammed in its North Little Rock gallery.
From Pandemic to Protests at Davidson College
Lauren Piemont reviews a timely exhibition at Davidson College that prominently features a new work from Bethany Collins’s “Erasure” series.
Slender Tenderness: Luther Hampton at Tops Gallery, Memphis
Jasmine Amussen admires the subtle emotional expressiveness in seventeen sculptures by Luther Hampton on view in Memphis.
She is Here at Atlanta Contemporary
Catherine Rush finds compelling artworks but an anachronistic and reductive vision of gender in the group exhibition She is Here at Atlanta Contemporary.
Get Well Soon at Dimensions Variable, Miami
Leia Genis considers Get Well Soon, a digital project documenting well wishes on crowdfunding websites, hosted by Dimensions Variable in Miami.
Collision at Day & Night Projects, Atlanta
Emily Llamazales considers speed and ferocity in Wilay Méndez Paez’s Collision at Day & Night Projects in Atlanta.
3-Sided Square at Marcia Wood Gallery, Atlanta
Kayla Goggin finds visual unity but a lack of tension in the group exhibition 3-Sided Square at Marcia Wood Gallery in Atlanta.