Three exhibitions at whitespace explore the power of color and simple pleasures.
Joe Nolan reviews David Onri Anderson’s second show at the David Lusk Gallery, Nashville.
Natalie Weis reviews John Brooks’ We All Come and Go Unknown at the Moremen Gallery, Louisville.
Brett Levine reviews Jiha Moon at the Abroms-Engel Institute for Visual Arts, Birmingham.
Nicholas Goodly has an experience at Hi-Lo Press’ single day exhibition somewhere in Atlanta.
Leia Genis considers the worn and repurposed materiality within the work of three artists on view at Westobou Gallery in Augusta.
What would a museum look like if it focused on the fictions of modern history rather than its facts? The Colombian curator, David Ayala-Alfonso, forms an answer in his exhibition on view in Savannah, GA.
Mary Anne Phan reviews two exhibitions currently on view in Memphis, TN presented by Tops Gallery.
Defying gravity, the four 8-foot clay bodies of Rose B. Simpson’s Countdown, her new body of works commissioned by the SCAD Museum of Art, pack a powerful presence.