Stephanie Allen reviews In Kyoung Chun’s Make Room and Maria Britton’s Second Sleep, two solo exhibitions that question acts of domestic ritual at the Halsey Institute of Contemporary Art, Charleston.
Amanda Malloy reviews the unearthly, yet familiar scenes in Theora Hamblett’s Children’s Games series, on view at the University of Mississippi Museum, Oxford.
Thalia Butts reviews Gordon Parks’ tender images of Black communities in the segregated South on view in the exhibition, Gordon Parks: The South in Color at Jackson Fine Art, Atlanta.
Annette LePique reviews Magic Grasshopper, Yvette Mayorga’s decadent, playful sculpture on view at the Museum of Fine Arts in St. Petersburg, Florida.
Francess Archer Dunbar reviews explorations of distortion in Fharid LaTorre and Jamieson Pearl’s artworks in QUEUE Gallery’s Evidence of Evolution exhibition, Miami.
Amber Hickey reviews the joyful resistance in Paradise, a group exhibition highlighting queer Southern art at Stove Works, Chattanooga.
Samantha Oleschuk reviews Dyani White Hawk’s LISTEN, an eight-channel video installation that asks a deceptively simple question: “How many languages can you identify by sound?”
Philip Kelleher-Rios reviews the collaborative, embodied qualities of Raheleh Filsoofi’s Deep Listening and Raheleh Filsoofi and Reza Filsoofi’s Listening: The Fourth String at the Ismaili Center, Houston.
Rian (Raven) Crane reviews Jamie Robertson’s otherworldly wetland images in soft heat at Houston Center for Photography, Houston.
