Luisa Basnuevo’s The space, the play, the angles at CENTRAL FINE, Miami Beach
Rob Goyanes dives into the spontaneity of Luisa Basnuevo’s paintings in The space, the play, the angles at CENTRAL FINE, Miami Beach.
Rob Goyanes dives into the spontaneity of Luisa Basnuevo’s paintings in The space, the play, the angles at CENTRAL FINE, Miami Beach.
Emily Alesandrini reviews the woven together collaborative works of Imogen Banks and Benry Fauna found in Fauna/Banks at Staple Goods, New Orleans.
Thalia Butts dives into the desaturated captured and found images found in Darrel Ellis: Regeneration at the Columbia Museum of Art, Columbia.
Daniel Fuller reviews the intensive documentation of pain and survival found in A Brand New End: Survival and Its Pictures by Carmen Winant at the Knoxville Museum of Art, Knoxville.
Annie Moye traverses the out-of-the-way places found in the photographs and quilt works of Amanda Greene in Her Fragrance Is Still Among Us at the Hudgens Center for Art and Learning, Duluth.
Gabrielle Octavia Rucker reviews the timeliness of light and chromatic colorgrams found in Leah Shirley: DANCER at Sibyl, New Orleans.
Kristina Kay Robinson considers the codices of decolonization in Ana Hernandez: Color of Clouds at Other Plans, New Orleans.
Yashi Davalos reviews the somatic suppression to time and sound found in Marie Bannerot McInerney: Trace Me Back at Crystal Bridges Museum of American Art, Bentonville.
Noah Reyes investigates the binaries and conceptual presentations found in Satellites & Salamanders IV by Walker Tufts at The Bascom: A Center for the Visual Arts, Highlands.