Shinichi Sawada: Agents of Clay at the Mint Museum Randolph, Charlotte
Daniel Fuller reviews Shinichi Sawada’s first US solo museum exhibition, a collection of the artist’s small, fantastical, and otherworldly ceramic creatures.
Daniel Fuller reviews Shinichi Sawada’s first US solo museum exhibition, a collection of the artist’s small, fantastical, and otherworldly ceramic creatures.
Jackson Markovic reviews the presence of death and queer eulogies to past generations found in Jacob Todd Broussard’s Deathbed Scene at Wolfgang Gallery, Atlanta.
Simone Cambridge reviews “in the wake of a haunting,” a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.
Joe Craig reviews the gradients and prismatic showpieces found in Bonnie Maygarden’s Rainbow’s Bend at Ferrara Showman Gallery, New Orleans.
Douglas Markowitz reviews the two-part curatorial visions found in Haunted I and Haunted II at Voloshyn Gallery, Miami.
Emily Farranto reviews the economies and currencies found in Jon Gott: Foreign Correspondent at Sibyl, New Orleans.
Margaret Jane Joffrion reviews the autobiographical nature and recurring motif of the sac found throughout the work of Jules Jackson in Good Luck Jules at COOP Gallery, Nashville.
Robert Alan Grand discusses the queer joy radiating out of David Gilbert: Flutter at the North Carolina Museum of Art, Winston-Salem.
E.C. Flamming reviews the psychological effects of color and happy surprises found in Judy Pfaff: A Walk in the Park at Johnson Lowe Gallery, Atlanta.