Sterling Allen: TWEEN at Neue Welt, Nashville
Margaret Jane Joffrion reviews the visual games of telephone found in Sterling Allen: TWEEN at Neue Welt, Nashville.
Reviews (500+)
Ron Ewert: I’ll Keep it with Mine at Good Weather, Little Rock
Tara Escolin reviews the decade of unpublished work and revision found in Ron Ewert’s exhibition I’ll Keep it with Mine, at Good Weather in Little Rock.
Diedrick Brackens: the shape of survival in the Walter and Linda Evans Center for African American Studies at the SCAD Museum of Art, Savannah
Anna Nelson-Daniel reviews Diedrick Brackens: the shape of survival in the Walter and Linda Evans Center for African American Studies at the SCAD Museum of Art, Savannah.
From Gulf to Gulf: Myriam Amri and Xitlalli Alvarez Almendariz’s Archival Hauntings in An Act to Prohibit Camels and Dromedaries from Running at Large, Friends Gallery, Houston
May Howard reviews the role of artists-archivists Myriam Amri and Xitlalli Alvarez Almendariz in An Act to Prohibit Camels and Dromedaries from Running at Large at Friends Gallery, Houston.
Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City
Valentin Diaconov reviews the aesthetic of stuttering found in Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City.
Sadie Sheldon: briefly at Sibyl Gallery, New Orleans
Emily Alesandrini reviews Sadie Sheldon’s solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
“A Different Approach to Pride”: The Third Annual Queer Arts Initiative Showcase at Good Art Co., Greenville
Angie Toole Thompson reviews The Third Annual Queer Arts Initiative Showcase at Good Art Co. in Greenville, South Carolina—an exhibition that holds feelings of joy, humor, horror, and rage in balance–alongside an unbeatable determination to thrive.
The Time Is Always Now: Artists Reframe the Black Figure at the North Carolina Museum of Art, Raleigh
Colony Little reviews North Carolina Museum of Art’s presentation of Ekow Eshun’s The Time is Always Now, bringing together 23 African diasporic artists who render Black subjectivity, identity, and interiority while subverting notions of the gaze.
Diego Alejandro Waisman: Sunset Colonies at the Patricia & Phillip Frost Art Museum at Florida International University, Miami
Francess Archer Dunbar reviews Diego Alejandro Waisman’s Sunset Colonies at the Patricia & Phillip Frost Art Museum at Florida International University, Miami, which uses photography and archival materials to preserve the overlooked histories of South Florida’s mobile home communities.
