Ryan Filchak visits the dreamy sculptures of Kiah Celeste’s It Is What Is Not Yet Known at Quappi Projects, Louisville.
Maddie Klett visits the punk drawings of Lawrence Tarpey at Institute 193, Lexington, Kentucky.
James Michael Nichols considers the stigma around blood donation policies, a heavy focal point of artist Jordan Eagles’s work on view at AEIVA.
Leia Genis examines the power of the body in all forms within Victoria Dugger’s work at Lyndon House.
In this bilingual review, artist María Korol finds the warmth of other suns in Rocío Rodíguez’s new work at Sandler Hudson.
Katya Tepper visits the sculptures of Bonnie Rychlak and Jeanne Silverthorne at UGA’s Dodd Gallery.
Leia Genis reconsiders the memory and brutality in Vesna Pavlović’s new exhibition at whitespace, Atlanta.
Kate Averett takes a look at the intimacy and safety of Ashley Johnson’s Mark Yourself Safe at SECCA, Winston-Salem.
Little’s exhibition is an intensely open-ended Seussian maze. These works are sketchy and enigmatic, elegant and gutsy.