Courtney McClellan reviews Virginia L. Montgomery’s tender affection for the luna moth in Blue Moon Cocoon at Abroms-Engel Institute for the Visual Arts at University of Alabama, Birmingham.
Karla James visits the Winston-Salem studio of artist Garnet Goldman, whose papercut works feel devotional without being doctrinal, precise without being rigid.
Cierra Chenier reviews the ways Black beauty glimmers during oppressive times, and how alternative imagery and narratives thrive in defiance of degrading stereotypes in Origins of New Orleans Black Carnival Society: The Story of the Illinois Clubs at The Presbytère, New Orleans.
Burnaway visits Pond Gallery, an artist-run gallery located in Fayetteville, Arkansas that emerged from an appreciation of Southern living, in this month’s edition of the DIY Index.
Burnaway is excited to announce ‘Sweet Lilly-Marie’, our next Artist Edition by Nashville and New York-based artist Marlos E’van.
Sterling Bowen visits the studio of Yun Dong Nam, speaking on his experience of teaching for thirty years at UNC Chapel Hill, ceramics, and the color palette in his work.
Amanda Bradley visits the studio of South Florida-based artist Nathalie Alfonso to discuss her process of creating site-specific, temporal installations that center labor and ephemerality.
Amina Daugherty profiles the work of Atlanta-based artist Treyvian Dowell, who challenges the notion of legitimacy as dictated by polish or price.
Our monthly round up of opportunities includes funding opportunities for Louisiana-based artists, residencies in coastal Florida, and various calls for exhibition submissions throughout the South.
