Philip Kelleher-Rios reviews the collaborative, embodied qualities of Raheleh Filsoofi’s Deep Listening and Raheleh Filsoofi and Reza Filsoofi’s Listening: The Fourth String at the Ismaili Center, Houston.
Burnaway takes a close look at Silvia Heyden: Weaving Notes & Nature at the Nasher Museum of Art at Duke University, Durham.
Rian (Raven) Crane reviews Jamie Robertson’s otherworldly wetland images in soft heat at Houston Center for Photography, Houston.
Robert Alan Grand visits the Asheville studio of painter Harley Burns to discuss their paintings that speak to the experience of being trans and gender nonconforming in the South, and celebrating the importance of living authentically.
Jasmine Wilson Dennie reviews how the featured artists translate embodied experience into visual and linguistic forms in Unbound Narratives: Embodied Langauge at Atlanta Contemporary, Atlanta.
Burnaway visits Room 412, an artist-run gallery in Birmingham, Alabama, that developed from a sense of shared momentum and need for connection within the city’s artist community, in April’s edition of DIY Index.
Our monthly round up of opportunities includes regional grants, a ceramics residency in Star, North Carolina, and an emerging craft artists program in St. Petersburg, Florida.
Burnaway takes a close look at Clutch City Craft at Houston Center for Contemporary Craft, Houson.
Yashi Davalos profiles the work of New Orleans-based artist Auudi Dorsey, who paints the community of Lincoln Beach, a former man-made beach in New Orleans East.
