Kevin Ford: Ids of March at Tops Gallery, Memphis
Maria Owen reviews the playful invitations found in Kevin Ford’s Ids of March at Tops Gallery, Memphis.
Maria Owen reviews the playful invitations found in Kevin Ford’s Ids of March at Tops Gallery, Memphis.
Lina Alam profiles the spiritual allegories and the labor of weaving works created by Chattanooga-based artist Tabitha Arnold.
Harrison Wayne reviews the entangled sculptures and taxidermic specimens found in As for me, I’m just passing through this planet at Bad Water, Knoxville.
Margaret Jane Joffrion reviews the feeling montages and logic of colors found in Dance in the waterfall at Red Arrow, Nashville.
Daniel Fuller reviews the intensive documentation of pain and survival found in A Brand New End: Survival and Its Pictures by Carmen Winant at the Knoxville Museum of Art, Knoxville.
Portraying everything from the pop culture iconography and generational revere of Elvis via young and old tribute artists, along with documenting his Chinese family and their domestic existence in the American South, Tommy Kha’s photography analyzes the multifaceted ways one can be seen in the kick-off Art21 x Burnaway feature of 2024.
Joe Nolan reviews the 2D and 3D twists on Greek mythology found in Fountain by Duncan McDaniel at The Parthenon, Nashville.
From North Carolina to Kentucky, Noah Rawlings goes on an adventure to find the dwindling dogtrots in the American South, in this Burnaway revisitation of our 2022 Artist Environments theme series.
Blair LeBlanc speaks with Earthen Clay on the interdependence of connection and feedback between two grounds, along with creating spaces for joy against oppressive odds.