In the Studio with Brett Douglas Hunter
Sarah Carter speaks with Nashville-based artist Brett Douglas Hunter on returning to smaller works and the wild, wonderful figures found in his solo show Cryptids and Crinoids at Elephant Gallery, Nashville.
Sarah Carter speaks with Nashville-based artist Brett Douglas Hunter on returning to smaller works and the wild, wonderful figures found in his solo show Cryptids and Crinoids at Elephant Gallery, Nashville.
Maria Owen reviews sensory exchange and the study of constant movement as found in Elly Reitman’s energy at Bad Water, Knoxville.
Robert Alan Grand reviews the photographic interpretations of Appalachian sensibilities found in Bless Your Heart at 123 West Main Gallery, Johnson City.
Margaret Jane Joffrion reviews the autobiographical nature and recurring motif of the sac found throughout the work of Jules Jackson in Good Luck Jules at COOP Gallery, Nashville.
Sophia Mason reviews the grid-like explorations of plants and descriptive cultural motifs by Erin Harmon and Kong Wee Pang in The Real & Imagined at Sheet Cake Gallery, Memphis.
Jennifer Dudley speaks with photographer Kristine Potter on mediums, a green curtain, and the variety within Kristine Potter: Dark Waters , on view at The Momentary in Bentonville, AK until October 11.
Maria Owen reviews the playful invitations found in Kevin Ford’s Ids of March at Tops Gallery, Memphis.
Lina Alam profiles the spiritual allegories and the labor of weaving works created by Chattanooga-based artist Tabitha Arnold.
Harrison Wayne reviews the entangled sculptures and taxidermic specimens found in As for me, I’m just passing through this planet at Bad Water, Knoxville.