Topher Lineberry profiles belonging to place, an exhibition looking at the creative community and artistic legacy of the influential Black feminist writer, activist, and cultural critic bell hooks at Turchin Center for the Visual Arts, Boone.
Burnaway takes a close look at ENID 2026: Generations of Women Sculptors at KMAC Museum, Louisville.
Daniel Fuller reviews Edmonia Lewis: Said in Stone, the first major retrospective devoted to the artist, on view at the Georgia Museum of Art, Athens.
Burnaway is excited to kick off Open Book, our first editorial book club, with Hothouse Bloom by Austyn Wohlers, selected by Burnaway’s Editor and Artistic Director Courtney McClellan.
Merin McDivitt highlights one western North Carolina exhibition that’s a testament to storm recovery while showcasing weaving as a symbol of resilience, connection, toughness, and tenderness in Holding Together: Cloth, Material & Making at Madison County Arts Council, Marshall.
Our monthly round up of opportunities include residencies in Georgia, Virginia, and Florida, a Princeton-based fellowship, and a juried exhibition in Athens.
Amina Daugherty profiles the vulnerable, archival artworks of Texas-born, Pittsburgh-based textile artist and printmaker Sara Jean Ruiz.
Mario Andrés Rodriguez reflects on the lived politics of Caribbean music in his review of Dancing The Revolution: From Dancehall to Reggaeton, at the Museum of Contemporary Art Chicago.
Burnaway is excited to announce Open Book, our first editorial book club! Held in-person and virtually, Open Book is a literary program for curious readers who are interested in engaging with stories touching on both art and our coverage region of the South and Caribbean.
