Sherae Rimpsey speaks with Cheyenne Wyzzard-Jones about Toni Cade Bambara’s The Salt Eaters, Blackness and the politics and spirit of place found in Introduction: Black Spiritual Ecologies at the Front, New Orleans.
Our monthly roundup of opportunities includes residencies in New York, Texas, and Alaska, public art commissions in Florida and Tennessee, an interdisciplinary artist-scientist grant, and juried exhibitions across the country.
Topher Lineberry profiles belonging to place, an exhibition looking at the creative community and artistic legacy of the influential Black feminist writer, activist, and cultural critic bell hooks at Turchin Center for the Visual Arts, Boone.
Burnaway takes a close look at ENID 2026: Generations of Women Sculptors at KMAC Museum, Louisville.
Daniel Fuller reviews Edmonia Lewis: Said in Stone, the first major retrospective devoted to the artist, on view at the Georgia Museum of Art, Athens.
Burnaway is excited to kick off Open Book, our first editorial book club, with Hothouse Bloom by Austyn Wohlers, selected by Burnaway’s Editor and Artistic Director Courtney McClellan.
Merin McDivitt highlights one western North Carolina exhibition that’s a testament to storm recovery while showcasing weaving as a symbol of resilience, connection, toughness, and tenderness in Holding Together: Cloth, Material & Making at Madison County Arts Council, Marshall.
Our monthly round up of opportunities include residencies in Georgia, Virginia, and Florida, a Princeton-based fellowship, and a juried exhibition in Athens.
Amina Daugherty profiles the vulnerable, archival artworks of Texas-born, Pittsburgh-based textile artist and printmaker Sara Jean Ruiz.
