The Altered Environment at the North Carolina Museum of Art
MJ Sanqui parses through the residue of human development in their review of NCMA’s recent photography exhibition, The Altered Environment, curated by Maya Brooks
Features (500+)
On Bottle Caps: Ana Hernandez
Lina Alam considers bottle caps, St. John the Baptist Church in San Juan Chamula and climate change through the work of interdisciplinary artist Ana Hernandez in New Orleans.
The Spiritual Sound Technologies of Jamaica
Artist and curator Iman Person travels through the sound waves, flora and spirits of Accompong, Jamaica in this essay for the theme of Nonhuman.
Twilight III: Permit S502408
In this theme story, Elena Peterman, Will Warasila and Junior Walk take on Twilight III, the surface mine owned by Lexington Coal Company in Boone County, West Virginia.
Vignettes from A Divided Landscape
Tara Stickley bears witness to A Divided Landscape at the Momentary, charting the mythologies that trouble the landscape in a series of illustrative vignettes.
Afro-Atlantic Histories at the National Gallery of Art
In her review of Afro-Atlantic Histories, Dr. Jordan Amirkhani charts the counter-narratives shaping the Black Atlantic.
Barthélémy Toguo at SCAD MOA, Savannah
Ian Carstens considers the interwoven themes of remembrance and cultural critique in Barthélémy Toguo’s Urban Requiem at the SCAD Museum of Art in Savannah.
What is Left Unspoken, Love at the High Museum of Art, Atlanta
Annie Moye visits What is Left Unspoken, Love at the High Museum of Art in Atlanta.
Our Mascots, Ourselves
In this theme story, Jasmine Amussen revels in the pagan delights of Southeastern Conference mascots.
