Bypass Words, But Not the Body
For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey.
For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey.
In our next feature within the Annotations column, Noah Simblist and Pablo Guardiola go back and forth in extended dialogue about Guardiola’s work regarding Puerto Rico as an island and as a block of time.
Karla Méndez reviews “Zilia Sánchez: Topologías/Topologies” at the Institute of Contemporary Art, Miami—a survey show featuring Sánchez’s work from 1950-1996.
In August’s Art21 x Burnaway feature, we follow the sculpture work of Puerto Rican artist Daniel Lind-Ramos.
Yashira Davalos speaks with the Muted Human, the perfomance personality of Puerto Rican artist Quintín Rivera Toro.
As part of our Camouflage series, Alexandra Martinez details the costumed intricacies of Luis Gabriel Sanabria’s Vejigantes in celebration of Puerto Rico’s queer landscape.
Studying immigration pathways and borderlands, Noah Simblist meditates on the usage of water as a liminal space in the work of Kuwaiti-Puerto Rican artist Alia Farid.
Through AI altered voice memos layered over video clips from a visit to Puerto Rico, artist Keysha Rivera reveals her thoughts on making art.
In this essay from Treasure, Monica Uszerowicz considers Natalia Lassalle-Morillo’s film Retiro. Translation from English to Spanish by Raquel Salas Rivera.