Through My Eyes: School of the Alternative in Black Mountain, North Carolina
For Burnaway’s CRUSH theme series, Isabella Marie Garcia reflects on the land, people, and ethos of School of the Alternative in Black Mountain, North Carolina.
Crush (9)
…as in to flatten: Juliana Huxtable & Photography
In this CRUSH feature, Jackson Markovic profiles the work of Texas-born artist Juliana Huxtable, who repurposes media tools as a method of critiquing and flattening stereotypes, shallowness, and tropes.
A Floriography for Dominique Hunter (or, Morning Glory Strategies for those who choose to remain)
Natalie Willis Whylly traces and weaves together the symbology of the morning glory as it finds itself in Guyanese artist Dominique Hunter’s mixed media collages in this Crush theme feature.
Bypass Words, But Not the Body
For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey.
The Memory of Roses: Recollections with Beyoncé’s Cowboy Carter
Kristina Kay Robinson recollects on listening to Cowboy Carter, the changing cultural landscape of New Orleans, and the weight of water across belief and place in this CRUSH feature.
Angel Lartigue’s Exploration of Mutability
In this CRUSH theme feature, Valentin Diaconov contextualizes the forensic performance work of Houston-born artist Angel Lartigue.
Andrew Lyman and Capturing the Impossible Nowness
E.C. Flamming interviews Atlanta-based artist Andrew Lyman as part of Burnaway’s theme series CRUSH, where they discuss intimacy, his entry point into photography, and crushing on your friend group.
Meet Me in the Parking Garage: D.O.S.E. Collective in Winston-Salem, North Carolina
Shanley Poole profiles the D.O.S.E. Collective, providing supportive and experimental opportunities for artists in Winston-Salem, North Carolina in our first CRUSH feature.
Introducing Our 2024 Editorial Themes
Burnaway announces its yearly magazine themes: Knock Knock, Crush, and Twang.
