Corrections in the Public Domain
Carolinas editor Susan Lee Mackey observes the successes and failures of public land management through two new exhibits at the Asheville Art Museum.
North Carolina (9)
Letter from the Carolinas: Plantation Pictures Aren’t Enough
In this inaugural Letter from the Carolinas, Editor-at-Large Susan Mackey, confronts the long history of Southern white photographers who depict environments connected to chattel slavery and trauma.
May 19, 2021
Pike School of Art receives an Our Town Grant from the NEA, awardees for the 2022 Edge Award are announced as well as other awardees from CAC NOLA and Center for Craft, and more in Burnaway’s bi-weekly news roundup.
Don’t Forget: Xaviera Simmons at Weatherspoon Art Museum, Greensboro
Susan Mackey reviews the photographic collages of Xaviera Simmons at Weatherspoon Museum of Art, Greensboro.
Vision & Spirit at Harvey B. Gantt Center, Charlotte
Lauren Piemont reviews Vision & Spirit at the Harvey B. Gantt Center for African American Arts and Culture.
Fantastical Forms: Ceramics as Sculpture at Asheville Art Museum
Burnaway takes a Close Look at a group show spanning over four decades of ceramic sculpture from the Asheville Art Museum’s permanent collection.
Mark Yourself Safe at SECCA
Kate Averett takes a look at the intimacy and safety of Ashley Johnson’s Mark Yourself Safe at SECCA, Winston-Salem.
Curators Picks: Johannes Barfield
Amber Esseiva on Johannes Barfield in Winston-Salem, North Carolina.
Jackie Gendel and Adrianne Rubenstein at SOCO Gallery, Charlotte
Burnaway takes a close look at an exhibition featuring works by Jackie Gendel and Adrianne Rubenstein at SOCO Gallery in Charlotte.
