Dawn Roe: Conditions for an Unfinished Work of Mourning: Wretched Yew at Tracey Morgan Gallery, Asheville
Burnaway takes a close look at Dawn Roe’s Conditions for an Unfinished Work of Mourning: Wretched Yew at Tracey Morgan Gallery, Asheville.
North Carolina (9)
Tyranny of Shapes: Front Burner at the North Carolina Museum of Art, Raleigh
Susan Mackey finds an alarming sameness and deference to geometric abstraction in a survey of contemporary North Carolina painting in Raleigh.
High Anxiety at 22 London, Asheville
Kate Averett experiences the tensions of High Anxiety in Asheville.
Drawn: Concept & Craft at SECCA, Winston-Salem
Susan Mackey reviews the expansive drawing exhibition DRAWN: Concept & Craft at SECCA in Winston-Salem.
Carlos Estévez at LaCa Projects, Charlotte
Susan Mackey finds a return to the simple pleasures of color, pattern, and visual play in an eclectic presentation by Cuban artist Carlos Estévez.
From Pandemic to Protests at Davidson College
Lauren Piemont reviews a timely exhibition at Davidson College that prominently features a new work from Bethany Collins’s “Erasure” series.
Turpentine at SOCO Gallery, Charlotte
Burnaway takes a close look at Turpentine, a recent group exhibition of ceramics and paintings at SOCO Gallery in Charlotte.
Question Everything! The Women of Black Mountain College
Donna Mintz reviews an exhibition highlighting the contributions and legacies of the women who studied and taught at Black Mountain College, including Ruth Asawa, Anni Albers, and lesser-known artists.
Slow Connection: TSA GVL presents REDIRECT in Asheville
Kate Averett navigates the fractured landscapes of social media and digital life in an exhibition presented by Tiger Strikes Asteroid Greenville.
