Look Homeward, Angel: The Asheville Art Museum Reopens
After being closed for three years and undergoing a multi-million-dollar renovation, the Asheville Art Museum reopens, offering a rich, layered picture of art in Appalachia and beyond.
After being closed for three years and undergoing a multi-million-dollar renovation, the Asheville Art Museum reopens, offering a rich, layered picture of art in Appalachia and beyond.
As institutions around the world mark the centenary anniversary of the founding of the Bauhaus, Diana C. Stoll reconsiders the school’s legacy in Appalachia.
As part of our Art & Labor series with Scalawag, Ben Beckett reports on art workers’ unionization efforts and the racist history of right-to-work laws in the South.
Maria Britton unpacks the dense, vividly rendered paintings in Jennifer Meanley’s solo exhibition Everything I Can Fit, in a Dream-Pod in Chapel Hill.
In this month’s DIY Index entry, BA visits School of the Alternative, an alternative arts education program in Black Mountain, North Carolina.
Joe Nolan considers sculptor Ruth Asawa’s years at Black Mountain College in his review of the catalogue accompanying her 2018 exhibition “Life’s Work” at the Pulitzer Arts Foundation.
In his first solo exhibition in the United States, South African artist Wim Botha ambivalently embraces and destroys Western art historical iconography.
In a solo exhibition at Tracey Morgan Gallery, painter Ralston Fox Smith imbues color theory and geometric abstraction with fresh emotional richness. Read BA contributor Jeremy Phillips’s review.
BA takes a close look at phtographer James Henkel’s solo exhibition “Table Arrangements” at Tracey Morgan Gallery in Asheville, NC.