Ana Hernandez: Color of Clouds at Other Plans, New Orleans
Kristina Kay Robinson considers the codices of decolonization in Ana Hernandez: Color of Clouds at Other Plans, New Orleans.
Kristina Kay Robinson considers the codices of decolonization in Ana Hernandez: Color of Clouds at Other Plans, New Orleans.
In alignment with BA’s Current theme series, New Orleans Editor at Large Kristina Kay Robinson writes a letter to NOLA about ghosts, date palms, and the secrets this Gulf Coast city keeps.
The user is invited to navigate several vignettes composed of clip-art collages and interface components common to web-based forms, with unclear and unexpected interaction results.
In this excerpt from Track changes: a handbook for art criticism, Kristina Kay Robinson speaks on the rules and reminders of her writing and editing practice.
Joe Craig reviews the feminine gestural abstraction in Across Space and Time (The Divine Feminine) by Anastasia Pelias at JONATHAN FERRARA GALLERY in New Orleans.
In solidarity with Abolition Week 2023, Bryn Evans speaks with artist Foad Satterfield in an extended interview to discuss nature’s subversion of carceral geographies.
Zoe Ariyama questions the classifying terms “vernacular”, “outsider”, and “self-taught” in the reinstallation of the permanent collection at the Ogden Museum of Southern Art.
Lucia Olubunmi R. Momoh illuminates the challenge to anti-Blackness in Nic[o] Brierre Aziz’s solo exhibition “I’d rather get out of jail than get 1,000,000 dollars” at Antenna Gallery, New Orleans.
Nora Kovacs explores the multidisciplinary, emotive visions of the collective in The New Member Show at The Front, New Orleans.