Woron (An Artist’s Approach to Writing and Editing): A Manifesto
In this excerpt from Track changes: a handbook for art criticism, Kristina Kay Robinson speaks on the rules and reminders of her writing and editing practice.
New Orleans (9)
Across Space and Time (The Divine Feminine) by Anastasia Pelias at JONATHAN FERRARA GALLERY, New Orleans
Joe Craig reviews the feminine gestural abstraction in Across Space and Time (The Divine Feminine) by Anastasia Pelias at JONATHAN FERRARA GALLERY in New Orleans.
Inside Out: In Conversation with Foad Satterfield
In solidarity with Abolition Week 2023, Bryn Evans speaks with artist Foad Satterfield in an extended interview to discuss nature’s subversion of carceral geographies.
Knowing Who We Are at the Ogden Museum of Southern Art
Zoe Ariyama questions the classifying terms “vernacular”, “outsider”, and “self-taught” in the reinstallation of the permanent collection at the Ogden Museum of Southern Art.
“I’d rather get out of jail than get 1,000,000 dollars”: Nic[o] Brierre Aziz at Antenna Gallery, New Orleans
Lucia Olubunmi R. Momoh illuminates the challenge to anti-Blackness in Nic[o] Brierre Aziz’s solo exhibition “I’d rather get out of jail than get 1,000,000 dollars” at Antenna Gallery, New Orleans.
The New Member Show at The Front, New Orleans
Nora Kovacs explores the multidisciplinary, emotive visions of the collective in The New Member Show at The Front, New Orleans.
Picture Man: Portraits by Polo Silk at New Orleans Museum of Art, New Orleans
Daniel Fuller reviews the ephemeral stills in Picture Man: Portraits By Polo Silk at New Orleans Museum of Art (NOMA) in New Orleans, LA.
Katherine Choy: Radical Potter in 1950s New Orleans at NOMA, New Orleans
Zoe Ariyama contextualizes the permanence of pottery in her review of Katherine Choy: Radical Potter in 1950s New Orleans at the New Orleans Museum of Art (NOMA).
Remember Earth? at CAC New Orleans
Nora Kovacs reviews the CAC’s 9th Annual Gulf South Open Call exhibition Remember Earth?
