August 4, 2021
Burnaway’s bi-weekly news roundup includes the announcement of new appointments at MINT and Oxford American, acquisitions at the Mississippi Museum of Art, Sanford Biggers’s first survey of quilt-based works, and more.
Burnaway’s bi-weekly news roundup includes the announcement of new appointments at MINT and Oxford American, acquisitions at the Mississippi Museum of Art, Sanford Biggers’s first survey of quilt-based works, and more.
Burnaway’s bi-weekly news roundup includes the announcement of artists in the Louisiana Contemporary, Atlanta Photography Group’s new space, and more.
Bex Ya Yolk visits an exhibition of new photography at the New Orleans Museum of Art.
Pike School of Art receives an Our Town Grant from the NEA, awardees for the 2022 Edge Award are announced as well as other awardees from CAC NOLA and Center for Craft, and more in Burnaway’s bi-weekly news roundup.
Daniel Fuller muses fondly over the showmanship of the Bayou Classic, the subject of Keith Duncan’s new works on view at Fort Gansevoort.
Editor and artist Kristina Kay Robinson mediates on her personal history in New Orleans through the sonic relationships between Sade’s Love Deluxe and bounce music.
Burnaway takes a Close Look at an upcoming photography exhibition, Roland L. Freeman: Portfolio, opening March 27th at Odgen Museum of Southern art in New Orleans.
Historically, Louisiana Contemporary has served as a record of the concerns that have animated artists throughout the state, and this year is no exception.
Visiting the group exhibition Mending the Sky at the New Orleans Museum of Art, Kristina Kay Robinson asks if art offers healing or representation in the face of disaster.