Roland Freeman, Howard University Student, Washington, D.C., 1979; Gelatin silver print, 16 x 20 inches.
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Roland Freeman, Mrs. Viola Allen, Africatown, AL, 1985; Gelatin silver print, 20 x 16 inches.
Roland Freeman, Ruby Quick, Wilford Streeter, and Claudie Mae Bright. In the Sand Hills, Near Bennettsville, SC, 1979; Gelatin silver print, 16 x 20 inches.
The photographs contained within the Roland L. Freeman – Portfolio span from 1969-1985. These images were culled from hundreds of published and unpublished photographs made by the photographer. It is a visual testament to the spirit and resilience of the Black communities in the South. These twelve photographs speak to the cultural diversity and regional traditions of Black American life – from the rural countryside to the urban city centers of the South.
from the accompanying exhibition text
Roland Freeman, Hallway of Polk Home, Americus, GA, 1971; Gelatin silver print, 20 x 16 inches.
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Roland Freeman, Cigar Box Fiddler Scott Dunbar, Mississippi, 1975; Gelatin silver print, 16 x 20 inches.
Roland Freeman, Getting Acquainted, Sunday Afternoon in Druid Hill Park, Baltimore, MD, 1973; Gelatin silver print, 20 x 16 inches.
Roland Freeman, Community Elders, Mississippi, 1975; Gelatin silver print, 16 x 20 inches.
Roland Freeman, Before Sunday Evening Service, St. Helena Island, SC, 1980; Gelatin silver print, 20 x 16 inches.
Roland L. Freeman: Portfoliois on view at the Ogden Museum of Southern Art in New Orleans beginning March 27 through September 5, 2021.
Topher Lineberry profiles belonging to place, an exhibition looking at the creative community and artistic legacy of the influential Black feminist writer, activist, and cultural critic bell hooks at Turchin Center for the Visual Arts, Boone.
Amina Daugherty visits the Atlanta studio of Jasmine Nicole Wiliams to discuss the printmaker's kinship with Suzanne Césaire and her radical vision for cultural liberation.
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