N.M.T*
For the next iteration of the Annotations column, mapenzi chibale nonó responds to Sylvia Wynter’s “‘No Humans Involved’: An open letter to my colleagues.”
Caribbean (9)
In Conversation With The Virgin Islands Studies Collective (VISCO) / Conversando con el Colectivo de Estudios de las Islas Vírgenes
Dr. Gervais Marsh speaks with The Virgin Island Studies Collective (VISCO) for the second installment of Burnaway’s Care In Precarity submissions, a collaborative open call with CCCADI.
In Conversation with Courtney McClellan, Grace Aneiza Ali, and Natalie Willis Whylly
Courtney McClellan, Grace Aneiza Ali, and Natalie Willis Whylly speak in conversation with one another on the American South as a migratory space, cultural remittances, and allowing for sentimentality in one’s work.
Cutlass Calling | The Machete’s Siren Song of Feminine Sovereignty
For the next iteration of Burnaway’s SIREN theme, Natalie Willis Whylly speaks on the machete as the song of feminine sovereignty and revolution in the work of Reagan Kemp and Tamika Galanis.
Seeds are Creativity in Action / Las Semillas son Creacción en Acción
stephanie s. cortés shares the artists at the heart of Huerto Semilla (Seed Garden) in Puerto Rico for the first installment of Burnaway’s Care In Precarity submissions, a collaborative open call with CCCADI.
Burnaway Announces Partnership with the National Performance Network
Burnaway is excited to announce a partnership with the National Performance Network, a New-Orleans based network of artists and organization advancing racial and cultural justice through the arts.
![Unknown (American). [Studio Portrait], 1940s – 50s. Gelatin silver print. The Metropolitan Museum of Art, New York, Twentieth- Century Photography Fund, 2015 (2015.330). Photograph by and courtesy of The Metropolitan Museum of Art, New York.](https://burnaway.org/wp-content/uploads/2025/09/1.-Unknown-American.-Studio-Portrait-1940s–50s-1-540x529.jpg)
Superfine: Tailoring Black Style at The Metropolitan Museum of Art, New York
Justin Chance reviews the ties to dandyism in the South and Caribbean as seen in Superfine: Tailoring Black Style at The Metropolitan Museum of Art, New York.
MAR ADENTRO at Museo de Arte Contemporáneo de Puerto Rico, San Juan
Burnaway takes a close look at MAR ADENTRO at Museo de Arte Contemporáneo de Puerto Rico, San Juan.
Residencies | Alternating Currents: Artist Residencies Inside and Outside of the Caribbean
Katherine Kennedy explores energy exchange and belonging in artist residencies within and beyond the Caribbean.
