Mazola Wa Mwashighadi: A Practice In Placemaking
Tedecia Bromfield speaks with Mazola Wa Mwashigada on placemaking, diasporic concepts of Blackness, and the magic of found material in the Jamaican landscape.
Tedecia Bromfield speaks with Mazola Wa Mwashigada on placemaking, diasporic concepts of Blackness, and the magic of found material in the Jamaican landscape.
Burnaway takes a close look at Current Speed: Kathia St. Hilaire – Invisible Empires at the Speed Art Museum in Louisville, Kentucky.
In this Twang theme feature, Jordan Barrant considers the kindred histories of Black Caribbeans and Southerners depicted in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023).
Shannon Chen See reviews and unpacks the nuances of PORTENT, a new exhibition of work by Laura Facey in Bellevue, Jamaica.
Natalie Willis Whylly shares a profile of multidisciplinary artist Jodi Minnis Rolle and her concerns around the history of the Bahamian hospitality industry.
Natalie Willis Whylly traces and weaves together the symbology of the morning glory as it finds itself in Guyanese artist Dominique Hunter’s mixed media collages in this Crush theme feature.
For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey.
Kristina Kay Robinson recollects on listening to Cowboy Carter, the changing cultural landscape of New Orleans, and the weight of water across belief and place in this CRUSH feature.
In our next feature within the Annotations column, Noah Simblist and Pablo Guardiola go back and forth in extended dialogue about Guardiola’s work regarding Puerto Rico as an island and as a block of time.