Tempest Aesthetics
Seen through the work of artists Sofía Gallisá Muriente and Hope Strickland, Daisy Gould considers how hurricanes and storms influence Caribbean moving image practices.
Caribbean (9)
Nostalgia in Diaspora: Bad Bunny’s Debí Tirar Más Fotos and Félix Rodríguez Báez’s El Ranchón
For the May co-publishing feature with Oxford American, Alexandra Martinez thinks about nostalgia as a collective experience of Caribbean diasporas in Bad Bunny’s Debí Tirar Más Fotos and Félix Rodríguez Báez’s El Ranchón’s .
Announcing the 2025 Art Writing Incubator, Your Voice is Personal
Announcing Burnaway’s 2025 Art Writing Incubator, Your Voice is Personal! Applications open now until May 16.
Jasmine Thomas-Girvan: On Exploring Marronage and Afrikan Retention
Kevarney K.R. shares on the ancestral wisdom and colonial resistance to be found in the work of Jamaican-born, Trinidad based artist, Jasmine Thomas Girvan.
Introducing Our 2025 Editorial Themes
Burnaway announces its yearly magazine themes: Ghost, Siren, and Trickster.
Burnaway Announces Artist Editions
Burnaway announces Artist’s Editions, a short-run of art objects by Southern and Caribbean artists, kicking off with Wrangle Cowboy Poker Set by Shawn Campbell.
Care in Precarity: Burnaway and CCCADI Announce Collaboration Centering Caribbean Writers
Burnaway and the Caribbean Cultural Center African Diaspora Institute (CCCADI) are pleased to announce our new collaboration: Care in Precarity, an open call for Caribbean writers to reflect on practices of care in the context of climate-based instability and crisis.
Andrea Chung: Between Too Late and Too Early at Museum of Contemporary Art, North Miami
Ming Joi Washington reviews Andrea Chung: Between Too Late and Too Early, highlighting Chung’s practice as a “curriculum of care” at the Museum of Contemporary Art, North Miami.
eight verses for Lorraine O’Grady
Camille Bacon pays tribute to the late Lorraine O’Grady, who worked across performance, collage, photography, curatorial interventions, and writing.
