Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham
Miriam Calleja reviews the aberration seen in the hydrographic screenprint and faux ceramic works found in Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham.
BA DAILY
In the Studio with Susan Bowers
Lauren Stroh visits the New Orleans studio of Susan Bowers, alongside her life partner Genevieve McKeown, to discuss the literary references and the tonal imagery across her paintings.
Labor and Belief in Luna Palazzolo-Daboul’s Artworks
Mario Andrés Rodriguez profiles the industrial, yet tender work of Miami-based artist Luna Palazzolo-Daboul.
John Akomfrah: The Hour Of The Dog at the Menil Collection, Houston
Daryl Meador reviews John Akomfrah’s six-screen audio-visual installation The Hour Of The Dog, on view at The Menil Collection, Houston.
Rooted in Memory: The Gullah Geechee Vision of Jonathan Green at Cameron Art Museum, Wilmington
Burnaway takes a close look at Rooted in Memory: The Gullah Geechee Vision of Jonathan Green at Cameron Art Museum, Wilmington.
Calls for Artists: August 2026
Our monthly round up of opportunities includes juried exhibitions, project grants, and awards across the South, as well as an online art criticism prize.
Julia Roland: A Seat at the Table at the Telfair Museums, Savannah
E.C. Flamming reviews Julia Roland’s vibrant portraits in A Seat at the Table, on view at the Telfair Museums in Savannah, Georgia.
Thaniel Ion Lee: Six Small Works and a Statement at Louisville Visual Art, Louisville
Natalie Weis reviews Thaniel Ion Lee’s text-based installation in Thaniel Ion Lee: Six Small Works and a Statement at Louisville Visual Art, Louisville.
Mary Ellen Carroll: How To Talk Dirty and Influence People at Contemporary Arts Museum Houston, Houston
Jana La Brasca reviews Mary Ellen Carroll’s solo exhibition Mary Ellen Carroll: How To Talk Dirty and Influence People at Contemporary Arts Museum Houston, Houston.
