Burnaway is thrilled to announce a year-long co-publishing partnership with The Oxford American, a nonprofit arts and media organization that exists to explore the complexity and vitality of the South through exceptional writing, music, and visual art.
Our monthly round of opportunities includes an artist-in-residence program focused on healthcare and healing in Charlotte, an open call to Palm Beach County artists for a 2025 Biennial, and an artist award for woman-identified visual artists residing in Arkansas.
Amina Daugherty visits the studio of Atlanta-based artist Chechi Udumah, speaking on the her layered creative process, surrealism, and the weight of proverbs.
Isabella Marie Garcia reviews the distillations of nature and visual ekphrasis located throughout the installations in Of what surrounds me at The Patricia and Phillip Frost Art Museum at Florida International University, Miami.
May Howard reviews Designing Motherhood, a timely exhibition on the material history of human reproduction at Houston Center of Contemporary Craft, Houston.
Colony Little reviews how Processing Systems: Numbers by Sherrill Roland, the artist’s latest exhibition, offers a unique take on portraiture and compels viewers to crack the code at the Nasher Museum of Art at Duke University, Durham.
Lauren Stroh speaks with New Orleans-based artist Meg Turner on using antiquated photographic practices to document transient communities and compelling subjects.
Robert Alan Grand, Editor at Large for the Carolinas, reviews Carly Owens Weiss’s debut solo show in her hometown at Tracey Morgan Gallery, Asheville.
Whitney Washington reviews the playful juxtaposition of artist Erin Dailey’s compositions against Frank Lloyd Wright’s architecture in Abstractions at Play at The Rosenbaum House, Florence.
