In the Studio with Smita Sen
Isabella Marie Garcia visits the studio of Smita Sen to discuss new work that is exploring the heart, emotions in response to the evolution of a place, and performance between Miami and New York City.
Isabella Marie Garcia visits the studio of Smita Sen to discuss new work that is exploring the heart, emotions in response to the evolution of a place, and performance between Miami and New York City.
Margaret Jane Joffrion reviews the visual games of telephone found in Sterling Allen: TWEEN at Neue Welt, Nashville.
Tara Escolin reviews the decade of unpublished work and revision found in Ron Ewert’s exhibition I’ll Keep it with Mine, at Good Weather in Little Rock.
Anna Nelson-Daniel reviews Diedrick Brackens: the shape of survival in the Walter and Linda Evans Center for African American Studies at the SCAD Museum of Art, Savannah.
Our monthly round of opportunities includes a resident artist program for craft artists in Penland, a residency in Knoxville, and an open call for installation-based solo exhibitions in Miami,
May Howard reviews the role of artists-archivists Myriam Amri and Xitlalli Alvarez Almendariz in An Act to Prohibit Camels and Dromedaries from Running at Large at Friends Gallery, Houston.
Kristina Kay Robinson visits the studio of Matthew Rosenbeck, a multidisplinary artist working in New Orleans who repurposes salvaged, found materials.
Tyra Douyon visits the studio of Tim Short, a narrative painter based in Stone Mountain, Georgia, to speak on the imaginative and metaphysical iconography tied to Blackness.
Valentin Diaconov reviews the aesthetic of stuttering found in Bryan Castro: to stutter / to atomize / to interrupt at D.D.D.D., New York City.