Knowing Who We Are at the Ogden Museum of Southern Art
Zoe Ariyama questions the classifying terms “vernacular”, “outsider”, and “self-taught” in the reinstallation of the permanent collection at the Ogden Museum of Southern Art.
Zoe Ariyama questions the classifying terms “vernacular”, “outsider”, and “self-taught” in the reinstallation of the permanent collection at the Ogden Museum of Southern Art.
Lucia Olubunmi R. Momoh illuminates the challenge to anti-Blackness in Nic[o] Brierre Aziz’s solo exhibition “I’d rather get out of jail than get 1,000,000 dollars” at Antenna Gallery, New Orleans.
Nora Kovacs explores the multidisciplinary, emotive visions of the collective in The New Member Show at The Front, New Orleans.
Daniel Fuller reviews the ephemeral stills in Picture Man: Portraits By Polo Silk at New Orleans Museum of Art (NOMA) in New Orleans, LA.
Zoe Ariyama contextualizes the permanence of pottery in her review of Katherine Choy: Radical Potter in 1950s New Orleans at the New Orleans Museum of Art (NOMA).
Nora Kovacs reviews the CAC’s 9th Annual Gulf South Open Call exhibition Remember Earth?
Lina Alam considers bottle caps, St. John the Baptist Church in San Juan Chamula and climate change through the work of interdisciplinary artist Ana Hernandez in New Orleans.
Through AI altered voice memos layered over video clips from a visit to Puerto Rico, artist Keysha Rivera reveals her thoughts on making art.
Tara Stickley visits the brutal and beautiful work of Luis Cruz Acazeta at the Ogden Museum, New Orleans.