Picture Man: Portraits by Polo Silk at New Orleans Museum of Art, New Orleans
Daniel Fuller reviews the ephemeral stills in Picture Man: Portraits By Polo Silk at New Orleans Museum of Art (NOMA) in New Orleans, LA.
Daniel Fuller reviews the ephemeral stills in Picture Man: Portraits By Polo Silk at New Orleans Museum of Art (NOMA) in New Orleans, LA.
Zoe Ariyama contextualizes the permanence of pottery in her review of Katherine Choy: Radical Potter in 1950s New Orleans at the New Orleans Museum of Art (NOMA).
Nora Kovacs reviews the CAC’s 9th Annual Gulf South Open Call exhibition Remember Earth?
Lina Alam considers bottle caps, St. John the Baptist Church in San Juan Chamula and climate change through the work of interdisciplinary artist Ana Hernandez in New Orleans.
Through AI altered voice memos layered over video clips from a visit to Puerto Rico, artist Keysha Rivera reveals her thoughts on making art.
Tara Stickley visits the brutal and beautiful work of Luis Cruz Acazeta at the Ogden Museum, New Orleans.
In this essay for our 2022 theme Invasive Species, Allison Young speaks with artist Hannah Chalew about pollution and waste as new ways of thinking about art making.
Burnaway’s monthly news roundup includes Oolite Arts new Miami home, ICA Chattanooga’s innovative approach to brand identity and website design, and the announcement of the New Orleans Film Society’s 2022 Southern Producers Lab fellows.
Focusing on a recently closed exhibition at Ten Nineteen in New Orleans, Katie Geha considers the photographs of Nancy Rexroth from her pioneering 1977 IOWA series.