Fauna/Banks at Staple Goods, New Orleans
Emily Alesandrini reviews the woven together collaborative works of Imogen Banks and Benry Fauna found in Fauna/Banks at Staple Goods, New Orleans.
New Orleans (9)
Leah Shirley: DANCER at Sibyl, New Orleans
Gabrielle Octavia Rucker reviews the timeliness of light and chromatic colorgrams found in Leah Shirley: DANCER at Sibyl, New Orleans.
Ana Hernandez: Color of Clouds at Other Plans, New Orleans
Kristina Kay Robinson considers the codices of decolonization in Ana Hernandez: Color of Clouds at Other Plans, New Orleans.
Letter from New Orleans: Never Can Say Goodbye
In alignment with BA’s Current theme series, New Orleans Editor at Large Kristina Kay Robinson writes a letter to NOLA about ghosts, date palms, and the secrets this Gulf Coast city keeps.
user experience
The user is invited to navigate several vignettes composed of clip-art collages and interface components common to web-based forms, with unclear and unexpected interaction results.
Woron (An Artist’s Approach to Writing and Editing): A Manifesto
In this excerpt from Track changes: a handbook for art criticism, Kristina Kay Robinson speaks on the rules and reminders of her writing and editing practice.
Across Space and Time (The Divine Feminine) by Anastasia Pelias at JONATHAN FERRARA GALLERY, New Orleans
Joe Craig reviews the feminine gestural abstraction in Across Space and Time (The Divine Feminine) by Anastasia Pelias at JONATHAN FERRARA GALLERY in New Orleans.
Inside Out: In Conversation with Foad Satterfield
In solidarity with Abolition Week 2023, Bryn Evans speaks with artist Foad Satterfield in an extended interview to discuss nature’s subversion of carceral geographies.
Knowing Who We Are at the Ogden Museum of Southern Art
Zoe Ariyama questions the classifying terms “vernacular”, “outsider”, and “self-taught” in the reinstallation of the permanent collection at the Ogden Museum of Southern Art.
