Yashi Davalos profiles the interdisciplinary work of Trécha Gay Jheneall, who fabricates anti-colonial lines of communication through time-based media and barrel baby ephemera.
Zoe Ariyama outlines the work of artist Christian Dinh, based in New Orleans, whose ceramic sculptures encapsulate the sights, sounds, and artifacts of Vietnamese working-class communities.
Amy Kennedy visits the New Orleans studio of photographer Ben Depp, reflecting on his aerial documentation of Louisiana, the impact of climate change on coastlines, and Southern landscapes.
Kristina Kay Robinson recollects on listening to Cowboy Carter, the changing cultural landscape of New Orleans, and the weight of water across belief and place in this CRUSH feature.
Shabez Jamal visits the studio of New Orleans-based artist Carlie Trosclair to discuss the patterns of collecting and intentional looking.
Rian (Raven) Crane explores contemporary Black Trans Southern aesthetics in this month’s Mood Ring through cyanotypes, written narrative, and lineage tracing.
In our debut feature of the new Annotations column, Ryan Christopher Clarke details the history of annotation in Black communities, coded language in vinyl engravings, and underground resistance found through techno and fugitive strategies of communication.
Emily Alesandrini reviews the stories and names for every detail found in Trenity Thomas: Little Me Would be Proud at The Front, New Orleans.
Quinn Foster talks with Louisiana-based artist Ky Beaux on his digital artwork, the rich energy of Opelousas, and hip-hop love.
