Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham
Miriam Calleja reviews the aberration seen in the hydrographic screenprint and faux ceramic works found in Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham.
Miriam Calleja reviews the aberration seen in the hydrographic screenprint and faux ceramic works found in Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham.
Burnaway visits Room 412, an artist-run gallery in Birmingham, Alabama, that developed from a sense of shared momentum and need for connection within the city’s artist community, in April’s edition of DIY Index.
Courtney McClellan reviews Virginia L. Montgomery’s tender affection for the luna moth in Blue Moon Cocoon at Abroms-Engel Institute for the Visual Arts at University of Alabama, Birmingham.
Daniel Fuller reviews the retrospective Structural Integrity on Hayward Oubre at the Birmingham Museum of Art, revealing the artist’s deep commitment to his craft and long-overdue acknowledgement of his interdisciplinary practice.
Our monthly round up of calls, residencies, and opportunities includes residencies at Light Work in Syracuse and the Studio at MASS MoCA in North Adams, MA.
Justin Chance reviews the Joe Minter exhibit at March Gallery, New York.
Burnaway’s monthly news roundup includes an upcoming exhibition at the Georgia Museum honoring Lou Stovall, a new Wangechi Mutu installation at the Nasher Museum, and grant awardee announcements.
Burnaway’s bi-weekly news roundup includes the digital preservation of Joe Minter’s African Village in America, a newly proposed Creative Economy Revitalization Act, and April Parker becoming Managing Director of Elsewhere in Greensboro, North Carolina.
Burnaway’s bi-weekly news roundup includes a partnership between Etsy, Gee’s Bend quilters, and Gullah Basket weavers; and the Mellon Foundation’s ‘Humanities in Place’ program awardees.