Letter From Atlanta: St. Roch Blues
In this Letter From Atlanta, Jasmine Amussen drifts down Moreland Avenue, gets vaccinated and considers the best art made by committee.
In this Letter From Atlanta, Jasmine Amussen drifts down Moreland Avenue, gets vaccinated and considers the best art made by committee.
Yves Jeffcoat interviews Atlanta polymath Danielle Deadwyler ahead of the Atlanta Biennial and her current exhibition at MINT.
Part drawing and part assemblage, six new works on paper by artist Krista Clark reflect her practice of abstracting common building materials into sculptural forms.
Leia Genis finds holiness lurking at Atlanta Contemporary.
In a retrospective covering forty-five years of Dawoud Bey’s career, Alex Jen finds images enhanced by the photographer’s straightforward approach and keen sense of Black life throughout American history.
Logan Lockner reviews the career-spanning survey of paintings by Julie Mehretu at the High Museum of Art, Atlanta.
Leia Genis reviews a project by artist Avantika Bawa that resurrects the now-demolished Georgia Archives Building, colloquially known as the “White Ice Cube.”
Cuban-born artist Mario Petrirena shares personal reflections on forty years of his creative process alongside images of works-in-progress.
Artist Joe Peragine mourns a spring full of loss, reflecting on the pandemic’s beginnings through visual commemoration.