Jurell Cayetano, Gerald Lovell, Dianna Settles at MINT, Atlanta
In MINT’s current show, which centers three Atlanta-based painters, Emily Llamazales considers the flâneur bearing witness to shared intimacy.
In MINT’s current show, which centers three Atlanta-based painters, Emily Llamazales considers the flâneur bearing witness to shared intimacy.
After the terror earlier this month against our Asian community, we invited Burnaway contributors, writers, artists and friends in the AAPI community to use our platform in any way they wished to respond.
Curator Daniel Fuller takes in the enormity of the late David Driskell’s work at the High Museum of Art, Atlanta.
María Korol reviews Michael Jones’ current exhibit at Swan Coach House, Atlanta.
Burnaway takes a close look at Diana Al-Hadid’s solo exhibition, Nothing is Stable at GSU galleries in Atlanta.
In this bilingual review, artist María Korol finds the warmth of other suns in Rocío Rodíguez’s new work at Sandler Hudson.
Nelson outlines two decades of her experiences with “Art Internet,” charting a generational course from her peers on LiveJournal and DeviantArt in the early aughts to their influence and power in the art world today.
Leia Genis reconsiders the memory and brutality in Vesna Pavlović’s new exhibition at whitespace, Atlanta.
Burnaway seeks proposals from Atlanta artists to contribute to our Mood Ring column.