Leah Solomon outlines artist Leah Jaynes Karp's 1982 mixed media series, made in response to the Atlanta Child Murders of 1979-1981, for Burnaway's STORM SIGNAL theme.
Annie Moye writes about the environmental and communal ethics of artist Yvette Gunn, whose sculptural practice of building birdhouses in her garden honors the natural world.
Daisy Gould considers facsimile and displacement in a Caribbean context, reviewing the work of Barbadian artist Annalee Davis for the 61st Venice Biennale.
