Renee Royale explores the work of Martinique-based artist David Gumbs, who reframes the lived environment and considers Caribbean relational histories through reactive light and crochet installations.
Daisy Gould considers facsimile and displacement in a Caribbean context, reviewing the work of Barbadian artist Annalee Davis for the 61st Venice Biennale.
Leah Solomon outlines artist Leah Jaynes Karp's 1982 mixed media series, made in response to the Atlanta Child Murders of 1979-1981, for Burnaway's STORM SIGNAL theme.
