Daisy Gould considers facsimile and displacement in a Caribbean context, reviewing the work of Barbadian artist Annalee Davis for the 61st Venice Biennale.
Renee Royale explores the work of Martinique-based artist David Gumbs, who reframes the lived environment and considers Caribbean relational histories through reactive light and crochet installations.
May Howard visits the Houston studio of Dominique Muñoz, speaking together on textiles inherited from loved ones, experimenting with cyanotypes, and what it means to weave an image.
