Mario Andrés Rodriguez reflects on the lived politics of Caribbean music in his review of Dancing The Revolution: From Dancehall to Reggaeton, at the Museum of Contemporary Art Chicago.
Miriam Calleja reviews the aberration seen in the hydrographic screenprint and faux ceramic works found in Daniel Luedtke: Wobbly Grid at Ground Floor Contemporary, Birmingham.
Burnaway is excited to announce Open Book, our first editorial book club! Held in-person and virtually, Open Book is a literary program for curious readers who are interested in engaging with stories touching on both art and our coverage region of the South and Caribbean.
