In the Studio with Garnet Goldman
Karla James visits the Winston-Salem studio of artist Garnet Goldman, whose papercut works feel devotional without being doctrinal, precise without being rigid.
North Carolina (9)
In the Studio with Yun Dong Nam
Sterling Bowen visits the studio of Yun Dong Nam, speaking on his experience of teaching for thirty years at UNC Chapel Hill, ceramics, and the color palette in his work.
‘the halls of a changing sea’: Claire Alexandre at the Gregg Museum of Art & Design, Raleigh
Colony Little reviews Claire Alexandre’s show ‘the halls of a changing sea’ at the Gregg Museum of Art & Design, Raleigh, highlighting how her works explore the ways Africans across the diaspora have transformed physical and social landscapes as a mode for survival.
Archiving Place at the Greenville Museum of Art, Greenville
Virginia Knight reviews how fiber artists interpret memory, nostalgia, and time through the perspective of place in Archiving Place at the Greenville Museum of Art, Greenville.
On the Speculative World of the Miami VIS: Introducing Najja Moon
For Burnaway’s TRICKSTER theme feature and for November’s co-publishing initiative with Oxford American, Isabella Marie Garcia considers parafiction as a tool in the conceptual practice of Najja Moon, where artist and basketball player collide.
Southern Grammar at Ella West Gallery, Durham
Merin McDivitt reviews Southern Grammar, an exhibition exploring the Black Southern experience in the work of three contemporary artists at Ella West Gallery, Durham.
Haunting: Erasure and Redaction in the Works of Joy Drury Cox
To celebrate Burnaway’s second artist edition, Jennifer Dudley speaks on the concealment and poetic erasure of Joy Drury Cox’s work in this GHOST theme feature.
‘Watching, Looking, Seeing’ by Joy Drury Cox – A Burnaway Artist Edition
Burnaway is excited to continue our Artist Editions with a bandana by Joy Drury Cox inspired by neighborhood crime watch signs.
Zines | The Art of Subversion: The Inherently Queer Nature of c hart’s Zines
In a special week-long editorial series on zines in anticipation of Burnaway’s Book//Zine fair and in October’s co-publishing initiative with Oxford American, Shanley Poole considers the work of Winston-Salem based artist c hart, whose zines reflect on pop culture, personal experience, and the local drag scene.
