An Account, An Encounter
For Burnaway’s Camouflage theme series, BA’s Interim Editor Courtney McClellan recounts Thew Smoak’s Cruising Theory performance through the North Carolina woods.
North Carolina (9)
Ruderal Fiction: Stories and Ecology for Disturbed Times
In honor of Native American Heritage Day, Burnaway revisits Eric Halvarson’s reflection on speculative fiction and the ruderal realities of Indigenous communities in Boone, North Carolina and throughout Appalachia.
BASEMENT in Chapel Hill, North Carolina
Burnaway visits BASEMENT, a Chapel Hill based project space in this month’s edition of the DIY Index.
Unworded bird, don’t come near my window
In the spirit of our Camouflage theme series, Laurel V. McLaughlin presents the work of Mel Chin in conversation with the language of birds.
Recovering Rivercane
In tandem with our Current series, Robert Alan Grand unravels the dwindling scarcity of rivercane as a native resource for Cherokee artists in Cherokee, North Carolina.
tangle of twilight
Spirit in the Land
Nasher Museum of Art
In a new poem, Durham-based poet Destiny Hemphill looks beneath the surface of Wangechi Mutu’s Subterranea Flourish, featured in the Nasher Museum of Art’s exhibition, Spirit in the Land.
The Fabric of Our Lives: Precious D. Lovell’s Ex-Domestication
Courtney Napier reviews Ex-Domestication, an exhibition by Precious D. Lovell, Anchorlight’s 2022 Brightwork Fellow.
Vitus Shell: ‘Bout It ‘Bout It, The Political Power of Just Being at the Southeastern Center for Contemporary Art
Burnaway takes a close look at Vitus Shell: ‘Bout It ‘Bout It, The Political Power of Just Being, an exhibition at the Southern Center for Contemporary Art in Winston-Salem.
A Warning to Slow Down: In Conversation with Lauren Strohacker and Dr. Lisa Minerva Tolentino
Erin Johnson converses with Lauren Strohacker and Dr. Lisa Minerva Tolentino on the movement of light and meaning of red in relation to Strohacker’s solo exhibition at the Southeastern Center for Contemporary Art (SECCA), Winston-Salem, NC.
