Shinichi Sawada: Agents of Clay at the Mint Museum Randolph, Charlotte
Daniel Fuller reviews Shinichi Sawada’s first US solo museum exhibition, a collection of the artist’s small, fantastical, and otherworldly ceramic creatures.
Daniel Fuller reviews Shinichi Sawada’s first US solo museum exhibition, a collection of the artist’s small, fantastical, and otherworldly ceramic creatures.
Colony Little reflects on the hands and history behind fiber works on display in exhibitions at the North Carolina Museum of Art and the Gregg Museum of Art & Design in Raleigh, North Carolina.
Simone Cambridge reviews “in the wake of a haunting,” a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.
Robert Alan Grand discusses the queer joy radiating out of David Gilbert: Flutter at the North Carolina Museum of Art, Winston-Salem.
In May’s Art21 x Burnaway feature, we reflect on Mel Chin’s genius and collaborative projects over the past decades.
Topher Lineberry reviews Vera B. William / STORIES at the Black Mountain College Museum + Arts Center, Asheville.
Noah Reyes investigates the binaries and conceptual presentations found in Satellites & Salamanders IV by Walker Tufts at The Bascom: A Center for the Visual Arts, Highlands.
Robert Alan Grand speaks with curator Maya Brooks on her love for fiber arts and the dedicated curatorial work behind The Threads We Follow, on view at the Southeastern Center for Contemporary Art (SECCA) in Winston-Salem, North Carolina through March 10, 2024.
From North Carolina to Kentucky, Noah Rawlings goes on an adventure to find the dwindling dogtrots in the American South, in this Burnaway revisitation of our 2022 Artist Environments theme series.