Beizar Aradini at The Electric Shed, Nashville
Joe Nolan reviews Beizar Aradini’s recently closed exhibition Mashallah, Mashallah, Mashallah at The Electric Shed in Nashville.
Joe Nolan reviews Beizar Aradini’s recently closed exhibition Mashallah, Mashallah, Mashallah at The Electric Shed in Nashville.
Burnaway takes a close look at Tactile Response at David Lusk Gallery in Nashville.
Joe Nolan reviews a group exhibition in Nashville that offers a range of contemporary artists’ interpretations of Aesop’s fables.
Margaret Jane Joffrion visits a bygone internet era through an exhibition of code-based artworks at Unrequited Leisure, Nashville.
In an exhibition at Vanderbilt Fine Arts Gallery, artists reimagine a lost “book of paintings” created by José Antonio Aponte, a free Black man in nineteenth-century Cuba.
An exhibition responding to Jungian theories about symbolism and the unconscious collects artifacts and artworks from across two thousand years of human history in Nashville.
Margaret Jane Joffrion considers two exhibitions of paintings in Nashville, revisits a poem by Emily Dickinson, and wonders if bugs can be saints.
BA visits Mild Climate, an artist-run space in transition in Nashville, Tennessee.
Diana Al-Hadid speaks with contributor Melinda Baker about the difference between curiosity and inspiration and her recent work on view in Nashville.