Greely Myatt, Broadway Boogie Woogie, 2018; reclaimed wood and steel, 45 by 43 by 5 inches. All images courtsey of David Lusk Gallery.
Tad Lauritzen Wright, Perceived, Remembered, Imagined, Distorted and Clarified, 2019; acrylic, ceramic and cinder blocks, various sizes.
Installation view of Tim Crowder’s Small Paper and Wood Projects at David Lusk Gallery.
Maysey Craddock, Trophy, 2019; wood, flashe and gouache, 30 by 24 by 16.6 inches.
Comprised of everything from found sports equipment to reclaimed wood and vintage tools, Tactile Response highlights 6 dynamic installations that speak to communal experience, our changing environment, the history of craft, and unusual perspectives.
from the accompanying exhibition text
Tim Crowder, Small Paper and Wood Project 5, 17, and 18 (from left to right), 2020; mixed media, various sizes.
Brandon Donahue, Basketball Bloom (Rawlings), 2019; basketballs and shoestrings, 36 by 36 inches.
Tim Crowder, Small Paper and Wood Project 9, 2020; mixed media, 9.5 by 5 by 3.5 inches.
Tactile Responsewill be virtually on view at David Lusk Gallery in Nashville through June 27th. The Nashville Gallery Association will present the 2nd Virtual Art Crawl on Saturday, June 20th.
Valentina Jager Lopezllera explores the fragmentation of Huntsville prisons and greenspace surrounding them in this month's Mood Ring titled And Lumber Would Season the Walls.
Simone Cambridge reviews "in the wake of a haunting," a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.
Daniel Fuller reviews Shinichi Sawada’s first US solo museum exhibition, a collection of the artist’s small, fantastical, and otherworldly ceramic creatures.
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