“Sak pase? N’ap boule”: Viktor El-Saieh’s TIM-TIM at Central Fine, Miami Beach
Rob Goyanes reviews the surreal links between politics and mythology in Viktor El-Saieh’s TIM-TIM at Central Fine, Miami Beach in this BA x Oolite piece.
Rob Goyanes reviews the surreal links between politics and mythology in Viktor El-Saieh’s TIM-TIM at Central Fine, Miami Beach in this BA x Oolite piece.
Folasade Ologundudu reviews Marika Thunder’s solo exhibition Texas/Yeshiva at Nina Johnson Miami in this BA x Oolite review.
Burnaway visits homework, founded by Aurelio Aguilo and Mayra Mejia in Miami for this edition of the DIY Index.
Michelle F. Solomon takes in the delicate patterns of Enrique Castro-Cid at [NAME] Gallery in this BA x Oolite piece.
Justin Chance visits the studio of Atlanta-born painter Jay Payton, Burnaway’s selected artist for presentation at NADA Miami 2022.
Nicole Martinez considers the work of Joaquín Stacey-Calle at Laundromat Art Space in this Oolite x BA piece.
Our monthly round up of calls, residencies, and opportunities includes The Bennett Prize, an arts competition in Lake City, South Carolina and The Arte Laguna Prize 2023 in Venice, Italy.
Writer Alexandra Martinez considers Franky Cruz’s interpretation of the domes of Buckminster Fuller in Miami in this Oolite x BA feature.
Curator Dainy Tapia writes, “At Large,” comes from the French au sens large, which translates as at liberty or free of restraint.” In this Oolite x BA piece, Contributing Editor Jason Katz reflects on freedom and space.