Anke Therese Schulz traverses the chapels of conceptual artists found in Hernan Bas: The Conceptualists at the Bass Museum of Art, Miami Beach in this Oolite x BA review.

In the first Oolite x BA feature of 2024, Francess Archer Dunbar reflects on the Department of Reflection’s work in deconstructing the story of Miami, Miami Beach, and the bridges that unite and divide them.

Francess Dunbar reviews the textile abundant and sensory-driven gameplay of Eyes of the Skin, Jen Clay’s solo exhibition at Locust Projects, Miami in this Oolite x BA feature.

Douglas Markowitz reviews the trashy fun paintings by Falopapas at homework gallery in Miami Beach through this Oolite x BA feature.

Charlotte Foreman reviews the memory tapestry in Sebastian Maseri’s Fragments of the City at Dale Zine, Miami in this BA x Oolite feature.

Alexandra Martinez reviews the reflections on Miami’s pockets of gentrification found in the group exhibition Residential Properties 2.0 at Diana Lowenstein Gallery, Miami in this BA x Oolite feature.

Rob Goyanes considers the youthful subjects found in the photography of Peggy Levison Nolan through this featured BA x Oolite review.

Isabella Marie Garcia questions the art museum’s function as a home in this Oolite x BA feature of Didier William: Nou Kite Tout Sa Dèyè at Museum of Contemporary Art, North Miami.

Jason Katz reviews the nighttime faith in Schneider Léon Hilaire’s Rituals and Ceremonies on view at Green Space Miami this BA x Oolite piece.