Kevin Ford: Ids of March at Tops Gallery, Memphis
Maria Owen reviews the playful invitations found in Kevin Ford’s Ids of March at Tops Gallery, Memphis.
Maria Owen reviews the playful invitations found in Kevin Ford’s Ids of March at Tops Gallery, Memphis.
Portraying everything from the pop culture iconography and generational revere of Elvis via young and old tribute artists, along with documenting his Chinese family and their domestic existence in the American South, Tommy Kha’s photography analyzes the multifaceted ways one can be seen in the kick-off Art21 x Burnaway feature of 2024.
As part of our Current theme series, Sophia Mason shares the lived experience of being Asian-American in the American South through the work of the MengCheng 梦城团
Collective in Memphis, Tennessee.
Writer Maria Owen dissolves into the abstract echos in Hasani Sahlehe’s paintings on view at TOPS Gallery, Memphis.
In our first theme essay of the new year, Annalise Flynn charts the history of the visionary Saint Paul Spiritual Holy Temple in Tennessee.
Burnaway’s bi-weekly news roundup celebrates the life of Memphis rapper Young Dolph.
Burnaway’s bi-weekly news roundup includes a partnership between Etsy, Gee’s Bend quilters, and Gullah Basket weavers; and the Mellon Foundation’s ‘Humanities in Place’ program awardees.
Mary Anne Phan reviews two exhibitions currently on view in Memphis, TN presented by Tops Gallery.
Margaret Jane Joffrion wanders from garden to table, smelling the flowers along the way in Beth Edwards’ Wonderstruck at David Lusk Gallery.