Sadie Sheldon: briefly at Sibyl Gallery, New Orleans
Emily Alesandrini reviews Sadie Sheldon’s solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
Emily Alesandrini reviews Sadie Sheldon’s solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
Burnaway takes a close look at Hoa Tay (Flower Hands) at the Ogden Museum of Southern Art, New Orleans.
Quinn Foster reviews Prairie Stories: Art and Ecological Restoration on Louisiana’s Prairies, sharing the powerful connections between art, activism, nature, and storytelling at the Acadiana Center for the Arts, Lafayette.
Dr. Allison K. Young reviews the serene and sacred practice of Cristina Molina in her solo exhibition Tell it to the River at Other Plans, New Orleans.
Yashi Davalos reviews the visual accountability and ecological politics found in Blas Isasi’s 1,001,532 CE and Didier William’s Gesture to Home for Prospect.6, New Orleans.
Satori Nightshade presents a drifting series of vignettes that form a visceral narrative of the dance of revelry, decay, resilience, and grief that soaks New Orleans in this month’s Mood Ring titled On The Way Home: Sleepless Nights.
Laurel V. McLaughlin interviews Andrea Andersson, Jordan Amirkhani, and Jade Flint of the Rivers Institute for Contemporary Art & Thought in New Orleans regarding Tina Girouard’s multidisciplinary practice and her here-now.
Lauren Stroh speaks with New Orleans-based artist Meg Turner on using antiquated photographic practices to document transient communities and compelling subjects.
Yashi Davalos profiles the interdisciplinary work of Trécha Gay Jheneall, who fabricates anti-colonial lines of communication through time-based media and barrel baby ephemera.