Laurel V. McLaughlin speaks with curators Josiah Gagosian and Nyeema Morgan on their work with History or Premonition, on view at the Joan Mitchell Center, New Orleans.
In August’s co-publishing partnership with Oxford American, Katie Jane Fernelius dives into how Louisianans are organizing to transform the stores their communities rely on.
Thalia Butts reviews the extravagant portrayals and traditions of HBCU marching bands found in Keith Duncan: Battle of the Bands, The HBCU Marching Band Series at the Ogden Museum of Southern Art, New Orleans.
Kristina Kay Robinson visits the studio of Matthew Rosenbeck, a multidisplinary artist working in New Orleans who repurposes salvaged, found materials.
Emily Alesandrini reviews Sadie Sheldon’s solo exhibition briefly, in which her alchemy transforms the seemingly worthless into the wondrously worthwhile, at Sibyl Gallery, New Orleans.
Burnaway takes a close look at Hoa Tay (Flower Hands) at the Ogden Museum of Southern Art, New Orleans.
Quinn Foster reviews Prairie Stories: Art and Ecological Restoration on Louisiana’s Prairies, sharing the powerful connections between art, activism, nature, and storytelling at the Acadiana Center for the Arts, Lafayette.
Dr. Allison K. Young reviews the serene and sacred practice of Cristina Molina in her solo exhibition Tell it to the River at Other Plans, New Orleans.
Yashi Davalos reviews the visual accountability and ecological politics found in Blas Isasi’s 1,001,532 CE and Didier William’s Gesture to Home for Prospect.6, New Orleans.
