Blas Isasi and Didier William: La Crítica de Prospect 6 en Nueva Orleans
Yashi Davalos reviews the visual accountability and ecological politics found in Blas Isasi’s 1,001,532 CE and Didier William’s Gesture to Home for Prospect.6, New Orleans.
Yashi Davalos reviews the visual accountability and ecological politics found in Blas Isasi’s 1,001,532 CE and Didier William’s Gesture to Home for Prospect.6, New Orleans.
Satori Nightshade presents a drifting series of vignettes that form a visceral narrative of the dance of revelry, decay, resilience, and grief that soaks New Orleans in this month’s Mood Ring titled On The Way Home: Sleepless Nights.
Laurel V. McLaughlin interviews Andrea Andersson, Jordan Amirkhani, and Jade Flint of the Rivers Institute for Contemporary Art & Thought in New Orleans regarding Tina Girouard’s multidisciplinary practice and her here-now.
Lauren Stroh speaks with New Orleans-based artist Meg Turner on using antiquated photographic practices to document transient communities and compelling subjects.
Yashi Davalos profiles the interdisciplinary work of Trécha Gay Jheneall, who fabricates anti-colonial lines of communication through time-based media and barrel baby ephemera.
Zoe Ariyama outlines the work of artist Christian Dinh, based in New Orleans, whose ceramic sculptures encapsulate the sights, sounds, and artifacts of Vietnamese working-class communities.
Amy Kennedy visits the New Orleans studio of photographer Ben Depp, reflecting on his aerial documentation of Louisiana, the impact of climate change on coastlines, and Southern landscapes.
Kristina Kay Robinson recollects on listening to Cowboy Carter, the changing cultural landscape of New Orleans, and the weight of water across belief and place in this CRUSH feature.
Shabez Jamal visits the studio of New Orleans-based artist Carlie Trosclair to discuss the patterns of collecting and intentional looking.