For the next iteration of the Annotations column, Grace Aneiza Ali reflects on her belief about curating as a space of listening through the form of titles, installations, public programs, the artist’s words, and exhibition catalogs.
Courtney McClellan, Grace Aneiza Ali, and Natalie Willis Whylly speak in conversation with one another on the American South as a migratory space, cultural remittances, and allowing for sentimentality in one’s work.
For the next iteration of Burnaway’s SIREN theme, Natalie Willis Whylly speaks on the machete as the song of feminine sovereignty and revolution in the work of Reagan Kemp and Tamika Galanis.
Natalie Willis Whylly traces and weaves together the symbology of the morning glory as it finds itself in Guyanese artist Dominique Hunter’s mixed media collages in this Crush theme feature.
