Bypass Words, But Not the Body
For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey.
For Burnaway’s series CRUSH, Michelle Santiago Cortés details the dance-drawings and improvisational mark-making of Awilda Sterling-Duprey.
Kristina Kay Robinson recollects on listening to Cowboy Carter, the changing cultural landscape of New Orleans, and the weight of water across belief and place in this CRUSH feature.
In our next feature within the Annotations column, Noah Simblist and Pablo Guardiola go back and forth in extended dialogue about Guardiola’s work regarding Puerto Rico as an island and as a block of time.
Karla Méndez reviews “Zilia Sánchez: Topologías/Topologies” at the Institute of Contemporary Art, Miami—a survey show featuring Sánchez’s work from 1950-1996.
In August’s Art21 x Burnaway feature, we follow the sculpture work of Puerto Rican artist Daniel Lind-Ramos.
Simone Cambridge reviews “in the wake of a haunting,” a collaborative exhibition featuring the work of La Vaughn Belle and Tamika Galanis at TERN Gallery, Nassau, The Bahamas.
Yashira Davalos speaks with the Muted Human, the perfomance personality of Puerto Rican artist Quintín Rivera Toro.
Carolina Ana Drake speaks with Haitian-American artist Laetitia Adam Rabel about motherhood, Black mermaids, and mysticism.
Amanda Haynes speaks with Annalee Davis and Katherine Kennedy of Fresh Milk Barbados, the small space with a big impact, on their most recent big win.